164 Results
Form:
drawings, born digital
drawings, born digital
Actions:
Reference number:
AP193.S3.001
Description:
Original directory name: "3D". Most common file formats: STL (Standard Tessellation Language) Binary
AP193.S3.001
Description:
Original directory name: "3D". Most common file formats: STL (Standard Tessellation Language) Binary
People:
Date:
2008
2008
Title:
3D models of robot structure, Olzweg, Orléans, France
Actions:
AP193.S3.001
Description:
Original directory name: "3D". Most common file formats: STL (Standard Tessellation Language) Binary
3D models of robot structure, Olzweg, Orléans, France
Actions:
AP193.S3.001
Description:
Original directory name: "3D". Most common file formats: STL (Standard Tessellation Language) Binary
Form:
drawings, born digital
drawings, born digital
Date:
2008
2008
People:
Form:
drawings
drawings
Actions:
Reference number:
DR2004:0932:010
DR2004:0932:010
People:
Date:
1990
1990
Title:
SURF 90: proposal for "friendly barriers", "intelligent totems" and "robot buoys"
Actions:
DR2004:0932:010
SURF 90: proposal for "friendly barriers", "intelligent totems" and "robot buoys"
Actions:
DR2004:0932:010
Form:
drawings
drawings
Date:
1990
1990
People:
Form:
journals and magazines
journals and magazines
Actions:
Reference number:
DR1995:0296:043:003:003
DR1995:0296:043:003:003
People:
Date:
19 April 1984
19 April 1984
Title:
"Which comes first, the chicken, the egg, or the robot bird?", clipping from Futures Micro section of The Guardian
Actions:
DR1995:0296:043:003:003
"Which comes first, the chicken, the egg, or the robot bird?", clipping from Futures Micro section of The Guardian
Actions:
DR1995:0296:043:003:003
Form:
journals and magazines
journals and magazines
Date:
19 April 1984
19 April 1984
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1981:0285
PH1981:0285
People:
Date:
1939
1939
Form:
photographs
photographs
Date:
1939
1939
People:
Form:
born digital
born digital
Title:
Video of possibly Kuka Robotics staff visit to dECOi lab, including demonstration of HypoSurface
Video of possibly Kuka Robotics staff visit to dECOi lab, including demonstration of HypoSurface
Actions:
Reference number:
AP170.S3.021
Description:
Original directory name: "KukaHypoSurface". Most common file formats: Quicktime.
AP170.S3.021
Description:
Original directory name: "KukaHypoSurface". Most common file formats: Quicktime.
People:
Date:
21 October 2011
21 October 2011
Title:
Video of possibly Kuka Robotics staff visit to dECOi lab, including demonstration of HypoSurface
Actions:
AP170.S3.021
Description:
Original directory name: "KukaHypoSurface". Most common file formats: Quicktime.
Video of possibly Kuka Robotics staff visit to dECOi lab, including demonstration of HypoSurface
Actions:
AP170.S3.021
Description:
Original directory name: "KukaHypoSurface". Most common file formats: Quicktime.
Form:
born digital
born digital
Date:
21 October 2011
21 October 2011
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
6 June 2013 to 11 August 2013
6 June 2013 to 11 August 2013
Title:
Dissections: Geoffrey Smedley
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Dissections: Geoffrey Smedley
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Form:
exhibitions
exhibitions
Date:
6 June 2013 to
11 August 2013
6 June 2013 to
11 August 2013
Location:
Octagonal gallery
Octagonal gallery
Form:
articles
articles
Actions:
Simone Niquille considers the simulation of domestic space
Issue:
A Social Reset
A Social Reset
Published:
18 October 2021
18 October 2021
Title:
On flatpack furniture and .zip folders
Simone Niquille considers the simulation of domestic space
Actions:
On flatpack furniture and .zip folders
Simone Niquille considers the simulation of domestic space
Actions:
Issue:
A Social Reset
A Social Reset
Level of archival description:
Series
Series
Title:
Olzweg
Olzweg
Actions:
Reference number:
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
People:
Date:
2006
2006
Title:
Olzweg
Actions:
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
Olzweg
Actions:
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
Level of archival description:
Series
Series
Date:
2006
2006
People:
Form:
events
events
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Keyword(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
Date:
12 April 2018
12 April 2018
Title:
Come and Forget the Counterculture, with Johannes Grenzfurthner
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Come and Forget the Counterculture, with Johannes Grenzfurthner
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Form:
events
events
Date:
12 April 2018
12 April 2018
Keyword(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
Form:
articles
articles
Actions:
Anna Puigjaner on the ubiquity and commodification of non-human care work
Issue:
A Social Reset
A Social Reset
Keyword(s):
Anna Puigjaner, non-human, care, work, labour, labor, robot, A social reset, catching up with life, maio, A Section of now
Anna Puigjaner, non-human, care, work, labour, labor, robot, A social reset, catching up with life, maio, A Section of now
Published:
27 March 2022
27 March 2022
Title:
A Space for a Non-Human Domestic Labourer
Anna Puigjaner on the ubiquity and commodification of non-human care work
Actions:
A Space for a Non-Human Domestic Labourer
Anna Puigjaner on the ubiquity and commodification of non-human care work
Actions:
Issue:
A Social Reset
A Social Reset
