photographies
PH1982:0363:001-226
1867
photographies
1867
photographies
PH1980:0048.03:001-028
Description:
- Album PH1980:0048.03:001-028 comprises 22 views of religious sites and architecture, five views of public architecture, and one view combining both religious and public architecture. -- The 22 views of religious sites and architecture comprise eight views of or including churches; four views of tombs; three views of towers related to religious sites or structures; two views of or including mosques; two views including minarets; and one view each of or including a convent, a garden, a grotto, a synagogue, a temple, a hospice, and the House of Caiaphas. -- The five views of public architecture include three views of city gates, one view of fortifications and two cityscapes. -- The view combining both religious and public architecture shows both a city gate and a Muslim cemetery.
architecture, militaire
published 1859-1860
Album of views of Jerusalem showing religious and public architecture, Ottoman Empire (now in Israel)
Actions:
PH1980:0048.03:001-028
Description:
- Album PH1980:0048.03:001-028 comprises 22 views of religious sites and architecture, five views of public architecture, and one view combining both religious and public architecture. -- The 22 views of religious sites and architecture comprise eight views of or including churches; four views of tombs; three views of towers related to religious sites or structures; two views of or including mosques; two views including minarets; and one view each of or including a convent, a garden, a grotto, a synagogue, a temple, a hospice, and the House of Caiaphas. -- The five views of public architecture include three views of city gates, one view of fortifications and two cityscapes. -- The view combining both religious and public architecture shows both a city gate and a Muslim cemetery.
photographies
published 1859-1860
architecture, militaire
PH1980:0048.01:001-049
Description:
Album PH1980:0048.01:001-0049 comprises 49 views of the Ottoman Empire, including views of subjects which are now located in Lebanon, Syria, Turkey, and Israel. The 24 views of Lebanon include ten views of Tripoli, eight of Baalbek, four of Beirut and two of Jubayl. The photographs show: eight cityscapes; seven views of temples; three views of mosques; 2 views of towers; and one view each of a convent, the ruins of a castle, the foundations of a Phoenician building, and the Consulate General of France in Beirut. The 12 views of Syria include seven views of Damascus, two of Jebel ed Druz, two of Tartus and one view of Latakia. The photographs show: three views of Jewish houses; two views of the ruins of a Roman amphitheater; two views of the French Consulate in Damascus; and one view each of a Christian house, the ruins of a castle, a church, a cityscape and a city gate. The seven views of Turkey include six views of Antioch and one view of Seleucia Pieria (both now Antakya). The photographs show: three views of fortifications; and one view each of a city gate, a statue, a cityscape and the entry to the Iron Canyon. The six views of Israel include two views of Acre, two of Mount Carmel and one view each of Haifa and Nazareth. The photographs show three cityscapes, and one view each of batteries, a convent and a palace.
architecture, ingénierie, militaire, sculpture
published 1859-1860
Album of views of cities and towns showing public, religious and domestic architecture, Ottoman Empire (now in Lebanon, Syria, Turkey and Israel)
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PH1980:0048.01:001-049
Description:
Album PH1980:0048.01:001-0049 comprises 49 views of the Ottoman Empire, including views of subjects which are now located in Lebanon, Syria, Turkey, and Israel. The 24 views of Lebanon include ten views of Tripoli, eight of Baalbek, four of Beirut and two of Jubayl. The photographs show: eight cityscapes; seven views of temples; three views of mosques; 2 views of towers; and one view each of a convent, the ruins of a castle, the foundations of a Phoenician building, and the Consulate General of France in Beirut. The 12 views of Syria include seven views of Damascus, two of Jebel ed Druz, two of Tartus and one view of Latakia. The photographs show: three views of Jewish houses; two views of the ruins of a Roman amphitheater; two views of the French Consulate in Damascus; and one view each of a Christian house, the ruins of a castle, a church, a cityscape and a city gate. The seven views of Turkey include six views of Antioch and one view of Seleucia Pieria (both now Antakya). The photographs show: three views of fortifications; and one view each of a city gate, a statue, a cityscape and the entry to the Iron Canyon. The six views of Israel include two views of Acre, two of Mount Carmel and one view each of Haifa and Nazareth. The photographs show three cityscapes, and one view each of batteries, a convent and a palace.
architecture, ingénierie, militaire, sculpture
DR1981:0017:001 R/V
Description:
- Most of the drawings in the group DR1981:0017:001 R/V - DR1981:0017:079 R/V are by Luca Danese, with the exception of those by Giovanni Antonio Zani (DR1981:0017:034, DR1981:0017:066 R/V, DR1981:0017:67 R/V and DR1981:0017:069 R/V), and the possible exception of the lower drawing on DR1981:0017:063 R, which bears the inscription, "Giovanni Danese". The Danese drawings include sketches of buildings, fortifications, facades, temporary architecture, locks and bridges as well as maps and designs for escutcheons, facades, temporary architecture, locks and one bridge. Most of these drawings show structures in the area around Comacchio and Ferrara in northeastern Italy, but there are also a number of record drawings made as far south as Rome, and as far north as Venice. In addition, there are plans which were probably not made "in situ" for fortifications at Innsbruck, Austria (DR1981:0017:064 R) and Altenburg (Mosonmagyarovar), Hungary (DR1981:0017:018 R). The drawings range in date between 1629 (DR1981:0017:018 R) and 1641 (DR1981:0017:0017:010 V), with a number of the record drawings made in Rome inscribed "1635". The Zani drawings are undated designs for military storage facilities, including a design for a magazine at Ferrara (DR1981:0017:067 R). Many of the sheets and secondary supports have been inscribed by an unknown contemporary Italian hand, including the drawing DR1981:0017:039 which gives Danese's death date as "1672". The date at which the drawings were bound into an album has not been determined.
architecture, militaire
ca. 1630-1640
Elevation of a fortified tower with cannons; verso: View of the Ponte Felice, Borghetto; Offset images of a bridge and an architectural detail
Actions:
DR1981:0017:001 R/V
Description:
- Most of the drawings in the group DR1981:0017:001 R/V - DR1981:0017:079 R/V are by Luca Danese, with the exception of those by Giovanni Antonio Zani (DR1981:0017:034, DR1981:0017:066 R/V, DR1981:0017:67 R/V and DR1981:0017:069 R/V), and the possible exception of the lower drawing on DR1981:0017:063 R, which bears the inscription, "Giovanni Danese". The Danese drawings include sketches of buildings, fortifications, facades, temporary architecture, locks and bridges as well as maps and designs for escutcheons, facades, temporary architecture, locks and one bridge. Most of these drawings show structures in the area around Comacchio and Ferrara in northeastern Italy, but there are also a number of record drawings made as far south as Rome, and as far north as Venice. In addition, there are plans which were probably not made "in situ" for fortifications at Innsbruck, Austria (DR1981:0017:064 R) and Altenburg (Mosonmagyarovar), Hungary (DR1981:0017:018 R). The drawings range in date between 1629 (DR1981:0017:018 R) and 1641 (DR1981:0017:0017:010 V), with a number of the record drawings made in Rome inscribed "1635". The Zani drawings are undated designs for military storage facilities, including a design for a magazine at Ferrara (DR1981:0017:067 R). Many of the sheets and secondary supports have been inscribed by an unknown contemporary Italian hand, including the drawing DR1981:0017:039 which gives Danese's death date as "1672". The date at which the drawings were bound into an album has not been determined.
architecture, militaire
*Montréal, ville fortifiée du XVIIIe siècle* explore l’évolution de la ville au XVIIIe siècle, alors qu’elle était une ville fortifiée. Cet événement offre une occasion unique de se renseigner sur l’essor de la ville commerciale et militaire à l’origine de la métropole actuelle. Couronnant presque quinze années de recherche et la création d’une(...)
Salles principales
8 septembre 1992 au 28 février 1993
Montréal, ville fortifiée au XVIIIe siècle
Actions:
Description:
*Montréal, ville fortifiée du XVIIIe siècle* explore l’évolution de la ville au XVIIIe siècle, alors qu’elle était une ville fortifiée. Cet événement offre une occasion unique de se renseigner sur l’essor de la ville commerciale et militaire à l’origine de la métropole actuelle. Couronnant presque quinze années de recherche et la création d’une(...)
Salles principales
L'état, roi, XVIIe siècle, architecture française, Indra McEwen, architecture de la fortification, corps mécanique, l'état moderne invisible, chercheur en résidence
18 février 2000
DR1974:0002:030:001-065
Description:
The four portfolios of drawings and prints in this group are entitled: Croquis à placer en papier; Croquis divers; Vues d'Italie; and Croquis arrangement de boutiques, de meubles, et de decorations (DR1974:0002:030:001 - DR1974:0002:030:008; DR1974:0002:030:009 - DR1974:0002:030:030; DR1974:0002:030:031 - DR1974:0002:030:050; DR1974:0002:030:051 - DR1974:0002:030:065. -- Porfolio Croquis à placer en papier, comprises three unidentified topographical views in graphite, a drawing of furnishings from the Palais Matteï, Italy [?], a still life of fruit, and a drawing of an elephant. -- Portfolio Croquis divers, comprises both record and design drawings - ranging from sketches to renderings - of varied subject matter. The record drawings include a rendering of the Hôtel de ville, Brussels, and line drawings of a baldachin and an urban square. The design drawings for buildings and interiors in Classical, Gothic and Exotic Revival styles are probably by Hubert Rohault de Fleury and include: line and finished drawings for a dairy after Jean François Joseph LeCointre; an imaginary church, perhaps inspired by Pugin; and a hôtel on rue de Varennes, Paris. Several drawings and prints depict military subject matter: fortifications after Louis de Cormontaigne, a battery, a cannon, and revolutionary battle scenes, some in Paris. Also included are several drawings of non-architectural subject matter - a coat of arms, perhaps of the Bougainville family, cossack soldiers, a boar hunt, a rock formation and lithographic maps of Istria and Rhodes. -- Portfolio Vues d'Italie, consists of mostly freehand drawings of Italian views and buildings in Paestum, Arezzo, Naples, Rome, Caprarola, Florence, Fidenza, Genoa, and Tivoli. The buildings and urban spaces include: Villa Belvedere, Naples; the Cathedral of Borgo S. Donino; the Temple of Vesta, Tivoli; the Campidoglio, Piazza del Popolo, Palais Maccarani, Arc de Septimus Severus, Ste. Pudenziana, and Baslica of Constantine, all in Rome. The presence of preparatory drawings for some of these views suggests they were intended to be published, either as individual prints or in a book. -- Portfolio Croquis arrangement de boutiques, de meuble et de decorations, comprises mostly finished watercolour drawings for Empire style interiors and furniture, probably designed by Hubert Rohault de Fleury. Also included are an elevation for a storefront for Batton Magasin de Fleurs Fines, drawings for two garden structures, and elevations for classical interiors and mouldings.
architecture, design d'intérieur, ingénierie, militaire, sculpture, topographique, urbanisme
printed first half of the 19th century
Four portfolios of drawings of Italian views, interior designs, Empire style furniture, military subjects, and other diverse subject matter
Actions:
DR1974:0002:030:001-065
Description:
The four portfolios of drawings and prints in this group are entitled: Croquis à placer en papier; Croquis divers; Vues d'Italie; and Croquis arrangement de boutiques, de meubles, et de decorations (DR1974:0002:030:001 - DR1974:0002:030:008; DR1974:0002:030:009 - DR1974:0002:030:030; DR1974:0002:030:031 - DR1974:0002:030:050; DR1974:0002:030:051 - DR1974:0002:030:065. -- Porfolio Croquis à placer en papier, comprises three unidentified topographical views in graphite, a drawing of furnishings from the Palais Matteï, Italy [?], a still life of fruit, and a drawing of an elephant. -- Portfolio Croquis divers, comprises both record and design drawings - ranging from sketches to renderings - of varied subject matter. The record drawings include a rendering of the Hôtel de ville, Brussels, and line drawings of a baldachin and an urban square. The design drawings for buildings and interiors in Classical, Gothic and Exotic Revival styles are probably by Hubert Rohault de Fleury and include: line and finished drawings for a dairy after Jean François Joseph LeCointre; an imaginary church, perhaps inspired by Pugin; and a hôtel on rue de Varennes, Paris. Several drawings and prints depict military subject matter: fortifications after Louis de Cormontaigne, a battery, a cannon, and revolutionary battle scenes, some in Paris. Also included are several drawings of non-architectural subject matter - a coat of arms, perhaps of the Bougainville family, cossack soldiers, a boar hunt, a rock formation and lithographic maps of Istria and Rhodes. -- Portfolio Vues d'Italie, consists of mostly freehand drawings of Italian views and buildings in Paestum, Arezzo, Naples, Rome, Caprarola, Florence, Fidenza, Genoa, and Tivoli. The buildings and urban spaces include: Villa Belvedere, Naples; the Cathedral of Borgo S. Donino; the Temple of Vesta, Tivoli; the Campidoglio, Piazza del Popolo, Palais Maccarani, Arc de Septimus Severus, Ste. Pudenziana, and Baslica of Constantine, all in Rome. The presence of preparatory drawings for some of these views suggests they were intended to be published, either as individual prints or in a book. -- Portfolio Croquis arrangement de boutiques, de meuble et de decorations, comprises mostly finished watercolour drawings for Empire style interiors and furniture, probably designed by Hubert Rohault de Fleury. Also included are an elevation for a storefront for Batton Magasin de Fleurs Fines, drawings for two garden structures, and elevations for classical interiors and mouldings.
dessins, oeuvres d'art
Quantité:
4 portfolio(s)
printed first half of the 19th century
architecture, design d'intérieur, ingénierie, militaire, sculpture, topographique, urbanisme
Sous-série
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
[1800-1868]
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
File 4
[1800-1868]
archives
Niveau de description archivistique:
Fonds
AP051
Résumé:
The Groupe de recherche sur Montréal fonds, 1975-1997, documents the Groupe de recherche sur Montréal’s (GRM) extensive research on the development of pre and post-industrial Montreal’s built environment. In addition to this extensive collection of research materials, the fonds also includes administrative files relating to the GRM’s everyday administration and management. Materials found in this fonds consist of approximately 40 l.m. of textual documentation, approximately 2000 maps and 1 model.
1975-1997
Fonds Groupe de recherche sur Montréal
Actions:
AP051
Résumé:
The Groupe de recherche sur Montréal fonds, 1975-1997, documents the Groupe de recherche sur Montréal’s (GRM) extensive research on the development of pre and post-industrial Montreal’s built environment. In addition to this extensive collection of research materials, the fonds also includes administrative files relating to the GRM’s everyday administration and management. Materials found in this fonds consist of approximately 40 l.m. of textual documentation, approximately 2000 maps and 1 model.
archives
Niveau de description archivistique:
Fonds
1975-1997
livres
Description:
150 pages, [1] folded leaf of plates : illustrations ; 21 cm.
[Amsterdam : Theatrum Orbis Terrarum] ; [New York] : [Da Capo Press], [1973]
Fortification : or, Architecture military : unfolding the principall mysteries thereof, in the resolution of sundry questions and problemes / by R.N. [i.e. R. Norwood].
Actions:
Exemplaires:
Description:
150 pages, [1] folded leaf of plates : illustrations ; 21 cm.
livres
[Amsterdam : Theatrum Orbis Terrarum] ; [New York] : [Da Capo Press], [1973]