Projet
AP018.S1.1964.PR09
Description:
This project series documents a lecture hall building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6413. This project, known as Lecture Hall No. 1, consisted of a two-storey building at York University, to be used for teaching. The basement included mechanical and electrical rooms, while the ground floor was made up of large, two-storey lecture halls, smaller classrooms, and projection rooms. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. UPACE received a Special Mention Massey Medal in 1967 for the design of this project. The project is recorded through reprographic copies of drawings dating from 1965. These were a set of drawings issued for tender.
1965
York University, Lecture Hall No. 1, North York, Ontario (1964-1965)
Actions:
AP018.S1.1964.PR09
Description:
This project series documents a lecture hall building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6413. This project, known as Lecture Hall No. 1, consisted of a two-storey building at York University, to be used for teaching. The basement included mechanical and electrical rooms, while the ground floor was made up of large, two-storey lecture halls, smaller classrooms, and projection rooms. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. UPACE received a Special Mention Massey Medal in 1967 for the design of this project. The project is recorded through reprographic copies of drawings dating from 1965. These were a set of drawings issued for tender.
Project
1965
Dans cette exposition, Guido Guidi, photographe italien, explore les notions de temps, d’espace et de lumière dans son essai photographique sur le mausolée de la famille Brion en Italie, considéré comme le chef-d’œuvre de l’architecte Carlo Scarpa. Révélée par les 54 photographies couleur de l’artiste exposées, la beauté de l’architecture de cet complexe funéraire, aux(...)
Salle octogonale
11 septembre 2009 au 10 janvier 2010
La tombe Brion de Carlo Scarpa : photographies de Guido Guidi, 1997-2007
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Description:
Dans cette exposition, Guido Guidi, photographe italien, explore les notions de temps, d’espace et de lumière dans son essai photographique sur le mausolée de la famille Brion en Italie, considéré comme le chef-d’œuvre de l’architecte Carlo Scarpa. Révélée par les 54 photographies couleur de l’artiste exposées, la beauté de l’architecture de cet complexe funéraire, aux(...)
Salle octogonale
dessins
Quantité:
22 File
ARCH44877
Description:
Building "A", panels over toilet openings; Building "B", 1st floor arrangement, locker bases, partitions, ward screens, lockers, cupboard doors; "C" Building, basketball backstops, badminton courts, transformer pit, window sill, exterior sash, partition, projection room openings, chapel confessional, stairs to stage, toilet and scrub-up-room, entrance canopy, sink and cupboard, tile pattern in dining room
Building "A", Building "B", Building "C"
Actions:
ARCH44877
Description:
Building "A", panels over toilet openings; Building "B", 1st floor arrangement, locker bases, partitions, ward screens, lockers, cupboard doors; "C" Building, basketball backstops, badminton courts, transformer pit, window sill, exterior sash, partition, projection room openings, chapel confessional, stairs to stage, toilet and scrub-up-room, entrance canopy, sink and cupboard, tile pattern in dining room
dessins
Quantité:
22 File
Projet
Olympia
AP144.S2.D83
Description:
File documents Cedric Price's competition entry for the design of one of the pedestrian plazas at the Olympic Village for the 1972 Olympics held in Munich, Germany. The limited competition was originally awarded to Cedric Price, but later withdrawn, and the project was never executed. The proposal called for market stalls/exhibition stands, seating, groups of spherical structures that would emit light, sound, warm or cool air, and a large central sphere that would provide multi-media projections and information. Some material from this file was submitted for publication in 'L'Architecture d'aujourd'hui' (1972) and 'Bauen + Wohnen' (1972). Material in this file was produced between 1971 and 1972. File contains conceptual drawings, photographic materials, presentation drawings, reference drawings, and textual records.
1971-1972
Olympia
Actions:
AP144.S2.D83
Description:
File documents Cedric Price's competition entry for the design of one of the pedestrian plazas at the Olympic Village for the 1972 Olympics held in Munich, Germany. The limited competition was originally awarded to Cedric Price, but later withdrawn, and the project was never executed. The proposal called for market stalls/exhibition stands, seating, groups of spherical structures that would emit light, sound, warm or cool air, and a large central sphere that would provide multi-media projections and information. Some material from this file was submitted for publication in 'L'Architecture d'aujourd'hui' (1972) and 'Bauen + Wohnen' (1972). Material in this file was produced between 1971 and 1972. File contains conceptual drawings, photographic materials, presentation drawings, reference drawings, and textual records.
File 83
1971-1972
Documenter les déplacements propose dexplorer la notion de déplacement et ses diverses significations et effets dans des œuvres photographiques et vidéo dartistes qui sintéressent à cette notion à travers le sujet quils ont représenté ou à travers leurs méthodologies et processus eux-mêmes. Les artistes présentés dans cette série vivent et travaillent tous en Amérique du(...)
Théâtre Paul-Desmarais Mot(s)-clé(s):
Victor Arroyo, Documenter les déplacements, Hester Keijser, photography, Cherán, P’urhépecha
7 décembre 2023, 18h30
Documenter les déplacements III
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Description:
Documenter les déplacements propose dexplorer la notion de déplacement et ses diverses significations et effets dans des œuvres photographiques et vidéo dartistes qui sintéressent à cette notion à travers le sujet quils ont représenté ou à travers leurs méthodologies et processus eux-mêmes. Les artistes présentés dans cette série vivent et travaillent tous en Amérique du(...)
Théâtre Paul-Desmarais Mot(s)-clé(s):
Victor Arroyo, Documenter les déplacements, Hester Keijser, photography, Cherán, P’urhépecha
dessins
Quantité:
24 File
ARCH42618
Description:
employment entrance, section of stage and carpenter's shop, boiler room, plan of water mains, doors, exhaust fan room, court landscape, vault building elevations, engineering department layout, board room and viewing room, conference room and workshop, pipe recesses, special effects area, botanical photography greenhouse, elevator pit, retaining walls, stair footing, screening room and projection booth, main switchboard, doors, revisions to floors, technical research section, science films section
Employment entrance, section of stage and carpenter's shop, boiler room, plan of water mains
Actions:
ARCH42618
Description:
employment entrance, section of stage and carpenter's shop, boiler room, plan of water mains, doors, exhaust fan room, court landscape, vault building elevations, engineering department layout, board room and viewing room, conference room and workshop, pipe recesses, special effects area, botanical photography greenhouse, elevator pit, retaining walls, stair footing, screening room and projection booth, main switchboard, doors, revisions to floors, technical research section, science films section
dessins
Quantité:
24 File
dessins
ARCH8468
Description:
Mobilier : plan d'une table de chimie. Détails intérieurs : chambre frigorifique pour les viandes. Aile G : doubles fenêtres en bois pour les fenêtres métalliques QQ et TTT. Ailes H, K et L: détails des rayons et escaliers du dépôt de livres, meurtrières de la cabine de projection K503, aménagement des vestiaires K409 à K412, fenêtres du corridor L5 et de l'amphithéâtre H404. Aile B' : baie vitrées dans l'escalier B'2 (dessins 0301 à 0303, 0305 à 0308 (x 2), 0309).
1942-1943
Mobilier, plan d'une table de chimie, détails intérieurs
Actions:
ARCH8468
Description:
Mobilier : plan d'une table de chimie. Détails intérieurs : chambre frigorifique pour les viandes. Aile G : doubles fenêtres en bois pour les fenêtres métalliques QQ et TTT. Ailes H, K et L: détails des rayons et escaliers du dépôt de livres, meurtrières de la cabine de projection K503, aménagement des vestiaires K409 à K412, fenêtres du corridor L5 et de l'amphithéâtre H404. Aile B' : baie vitrées dans l'escalier B'2 (dessins 0301 à 0303, 0305 à 0308 (x 2), 0309).
dessins
1942-1943
Ce jeudi, Anna Neimark et Andrew Atwood témoignent du travail récent de First Office portant sur des expositions et des présentations, dont une salle de projection temporaire installée au MAK Center for Art and Architecture à Los Angeles. Présentée dans le cadre de Larchitecture présentée, une série du CCA qui porte sur la relation entre architecture et espaces de présentation.
22 octobre 2015 , 18h
L'architecture présentée : First Office
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Description:
Ce jeudi, Anna Neimark et Andrew Atwood témoignent du travail récent de First Office portant sur des expositions et des présentations, dont une salle de projection temporaire installée au MAK Center for Art and Architecture à Los Angeles. Présentée dans le cadre de Larchitecture présentée, une série du CCA qui porte sur la relation entre architecture et espaces de présentation.
archives
Niveau de description archivistique:
Fonds
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
2001-2016
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
archives
Niveau de description archivistique:
Fonds
2001-2016
DR1987:0119
Description:
- This print, which is probably a photolithograph of a photomontage, combines a panorama of the devastated remains of Hiroshima with images of futuristic, visionary architecture designed by Japanese architects in the early 1960s. The print was designed for the Electric Labyrinth, an installation made for the fourteenth Milan Triennale in 1968. The Electric Labyrinth was comprised of curved, revolving plexiglass panels and a large projection screen. Images of Hiroshima and the visionary architecture designed by Isozaki and his contemporaries were displayed on both the panels and the screen (Koshalek 1991, 278).
urbanisme
1968
Panorama of Hiroshima with futuristic buildings
Actions:
DR1987:0119
Description:
- This print, which is probably a photolithograph of a photomontage, combines a panorama of the devastated remains of Hiroshima with images of futuristic, visionary architecture designed by Japanese architects in the early 1960s. The print was designed for the Electric Labyrinth, an installation made for the fourteenth Milan Triennale in 1968. The Electric Labyrinth was comprised of curved, revolving plexiglass panels and a large projection screen. Images of Hiroshima and the visionary architecture designed by Isozaki and his contemporaries were displayed on both the panels and the screen (Koshalek 1991, 278).
urbanisme