Si l’immigration est un thème dominant de la culture contemporaine, les discussions à son sujet sont souvent limitées à l’expérience humaine, telles que la traversée de frontières et les problématiques d’identité nationale. L’exposition Trajets adopte une perspective autre, celle de l’impact des mouvements sur l’environnement. Les exemples vont de la noix de coco qui(...)
Salles principales
20 octobre 2010 au 13 mars 2011
Trajets: comment la mobilité des fruits, des idées et des architectures recompose notre environnement
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Si l’immigration est un thème dominant de la culture contemporaine, les discussions à son sujet sont souvent limitées à l’expérience humaine, telles que la traversée de frontières et les problématiques d’identité nationale. L’exposition Trajets adopte une perspective autre, celle de l’impact des mouvements sur l’environnement. Les exemples vont de la noix de coco qui(...)
Salles principales
Autres odyssées de l’espace expose trois perspectives sur une aventure entamée il y a 40 ans, après la mission lunaire de 1969. Présentant les travaux des architectes Greg Lynn, Michael Maltzan et Alessandro Poli, Autres odyssées de l’espace se tient à un moment où l’exploration spatiale fait l’objet d’un engouement renouvelé, mais aussi de questionnements quant à sa(...)
Salles principales
8 avril 2010 au 19 septembre 2010
Autres odyssées de l’espace : Greg Lynn, Michael Maltzan, Alessandro Poli
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Autres odyssées de l’espace expose trois perspectives sur une aventure entamée il y a 40 ans, après la mission lunaire de 1969. Présentant les travaux des architectes Greg Lynn, Michael Maltzan et Alessandro Poli, Autres odyssées de l’espace se tient à un moment où l’exploration spatiale fait l’objet d’un engouement renouvelé, mais aussi de questionnements quant à sa(...)
Salles principales
articles
Perspectives de vie
9 mars 2016
Perspectives de vie
Where We Grow Older
Le documentaire Where We Grow Older (CCA, 2023, 30 min) examine la manière dont le vieillissement croissant de la population remodèle les constructions architecturales et sociales et sinterroge sur le rôle de lurbanisme et de la politique face à ces défis. Le film étudie deux modèles de reconception des soins et du logement à la lumière de la prolongation de la vie : le(...)
Where We Grow Older, CCA film, Festival du film de Porto, festival du film d'Arquiteturas, where life happens, what it takes to make a home, when we live alone, INSTITUTO, Batalha Centro de Cinema
juin 2023
Where We Grow Older
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Le documentaire Where We Grow Older (CCA, 2023, 30 min) examine la manière dont le vieillissement croissant de la population remodèle les constructions architecturales et sociales et sinterroge sur le rôle de lurbanisme et de la politique face à ces défis. Le film étudie deux modèles de reconception des soins et du logement à la lumière de la prolongation de la vie : le(...)
Le film du CCA « What It Takes to Make a Home » (2019) suit une conversation entre deux architectes, Michael Maltzan (Los Angeles) et Alexander Hagner (Vienne), qui se sont penchés sur la question des personnes sans abri à travers divers projets.
What It Takes to Make a Home, itinérance, sans domicile, Los Angeles, Vienne, Ressaissir la vie
octobre 2019
« What It Takes to Make a Home »
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Le film du CCA « What It Takes to Make a Home » (2019) suit une conversation entre deux architectes, Michael Maltzan (Los Angeles) et Alexander Hagner (Vienne), qui se sont penchés sur la question des personnes sans abri à travers divers projets.
What It Takes to Make a Home, itinérance, sans domicile, Los Angeles, Vienne, Ressaissir la vie
événements
L'enseignement de... Chine
Dans sa conférence Urbanising Southern China: Poverty, Minorities, and Development Gregory Guldin fait le point sur les conséquences sociales et environnementales de l’industrialisation accélérée en Chine, où des villages à vocation agricole se transforment en agglomérations urbaines de forte densité à un rythme sans précédent. Spécialiste du développement urbain, des(...)
3 mai 2007
L'enseignement de... Chine
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Dans sa conférence Urbanising Southern China: Poverty, Minorities, and Development Gregory Guldin fait le point sur les conséquences sociales et environnementales de l’industrialisation accélérée en Chine, où des villages à vocation agricole se transforment en agglomérations urbaines de forte densité à un rythme sans précédent. Spécialiste du développement urbain, des(...)
événements
3 mai 2007
Projet
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
1969-1971
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
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AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Project
1969-1971
Environnement : manières d’agir pour demain s’attaque à des sujets d’actualité tels que la consommation d’énergie et les ressources naturelles, la question de limiter le contrôle de l’humanité sur l’environnement en raison de son immense capacité technologique, la recherche de ressources renouvelables et les meilleurs moyens pour les utiliser. À travers les travaux de(...)
Salles principales
18 octobre 2006 au 10 juin 2007
Environnement : manières d’agir pour demain
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Environnement : manières d’agir pour demain s’attaque à des sujets d’actualité tels que la consommation d’énergie et les ressources naturelles, la question de limiter le contrôle de l’humanité sur l’environnement en raison de son immense capacité technologique, la recherche de ressources renouvelables et les meilleurs moyens pour les utiliser. À travers les travaux de(...)
Salles principales
Cette année, en partenariat avec The Architectural Review et le Architects’ Journal, nous accueillons les W Awards, dont la mission est d’augmenter la présence de profils féminins et non binaires dans la discipline architecturale à travers le monde, en soulignant les contributions significatives pour l’architecture et l’environnement bâti de personnes issues du domaine ou(...)
7 mars 2024, 18h à 20h30
En conversation avec Iwona Buczkowska et Angela Davis
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Cette année, en partenariat avec The Architectural Review et le Architects’ Journal, nous accueillons les W Awards, dont la mission est d’augmenter la présence de profils féminins et non binaires dans la discipline architecturale à travers le monde, en soulignant les contributions significatives pour l’architecture et l’environnement bâti de personnes issues du domaine ou(...)