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In 1946, Buckminster Fuller patented a map of Earth which presents geographic information without breaks in any of the continental contours, or any visible distortion of the relative shapes or sizes of the land masses. In 1954, the Dymaxion Projection as we know it today was hand drawn by architect, Shoji Sadao, the cartographer and collaborator behind the map. Designer(...)
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In 1946, Buckminster Fuller patented a map of Earth which presents geographic information without breaks in any of the continental contours, or any visible distortion of the relative shapes or sizes of the land masses. In 1954, the Dymaxion Projection as we know it today was hand drawn by architect, Shoji Sadao, the cartographer and collaborator behind the map. Designer(...)
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Jouets
Jouets
Publication:
novembre 2016
novembre 2016
Titre:
Dymaxion folding globe, blue and green
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In 1946, Buckminster Fuller patented a map of Earth which presents geographic information without breaks in any of the continental contours, or any visible distortion of the relative shapes or sizes of the land masses. In 1954, the Dymaxion Projection as we know it today was hand drawn by architect, Shoji Sadao, the cartographer and collaborator behind the map. Designer Brendan Ravenhill has configured Fuller’s projection as a magnetic folding globe, a representation of Earth that easily transitions from flat to three dimensional. Fold it to form a geometric globe or unfold to reveal our flattened planet.
Dymaxion folding globe, blue and green
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In 1946, Buckminster Fuller patented a map of Earth which presents geographic information without breaks in any of the continental contours, or any visible distortion of the relative shapes or sizes of the land masses. In 1954, the Dymaxion Projection as we know it today was hand drawn by architect, Shoji Sadao, the cartographer and collaborator behind the map. Designer Brendan Ravenhill has configured Fuller’s projection as a magnetic folding globe, a representation of Earth that easily transitions from flat to three dimensional. Fold it to form a geometric globe or unfold to reveal our flattened planet.
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livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Jouets
Jouets
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livres
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Résumé:
In 1946, Buckminster Fuller patented a map of Earth which presents geographic information without breaks in any of the continental contours, or any visible distortion of the relative shapes or sizes of the land masses. In 1954, the Dymaxion Projection as we know it today was hand drawn by architect, Shoji Sadao, the cartographer and collaborator behind the map. Designer(...)
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Résumé:
In 1946, Buckminster Fuller patented a map of Earth which presents geographic information without breaks in any of the continental contours, or any visible distortion of the relative shapes or sizes of the land masses. In 1954, the Dymaxion Projection as we know it today was hand drawn by architect, Shoji Sadao, the cartographer and collaborator behind the map. Designer(...)
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Jouets
Jouets
Publication:
décembre 2016
décembre 2016
Titre:
Dymaxion folding globe, black and white
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In 1946, Buckminster Fuller patented a map of Earth which presents geographic information without breaks in any of the continental contours, or any visible distortion of the relative shapes or sizes of the land masses. In 1954, the Dymaxion Projection as we know it today was hand drawn by architect, Shoji Sadao, the cartographer and collaborator behind the map. Designer Brendan Ravenhill has configured Fuller’s projection as a magnetic folding globe, a representation of Earth that easily transitions from flat to three dimensional. Fold it to form a geometric globe or unfold to reveal our flattened planet.
Dymaxion folding globe, black and white
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In 1946, Buckminster Fuller patented a map of Earth which presents geographic information without breaks in any of the continental contours, or any visible distortion of the relative shapes or sizes of the land masses. In 1954, the Dymaxion Projection as we know it today was hand drawn by architect, Shoji Sadao, the cartographer and collaborator behind the map. Designer Brendan Ravenhill has configured Fuller’s projection as a magnetic folding globe, a representation of Earth that easily transitions from flat to three dimensional. Fold it to form a geometric globe or unfold to reveal our flattened planet.
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décembre 2016
décembre 2016
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Jouets
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viii, 254 pages : illustrations (black and white) ; 24 cm
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viii, 254 pages : illustrations (black and white) ; 24 cm
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Seattle : University of Washington Press, [2022]
Seattle : University of Washington Press, [2022]
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Material contradictions in Mao's China / edited by Jennifer Altehenger and Denise Y. Ho.
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viii, 254 pages : illustrations (black and white) ; 24 cm
Material contradictions in Mao's China / edited by Jennifer Altehenger and Denise Y. Ho.
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viii, 254 pages : illustrations (black and white) ; 24 cm
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Seattle : University of Washington Press, [2022]
Seattle : University of Washington Press, [2022]
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239 pages : color illustrations ; 24 cm
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239 pages : color illustrations ; 24 cm
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Leuven : Leuven University Press, [2015], ©2015
Leuven : Leuven University Press, [2015], ©2015
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Allan Sekula : ship of fools / the dockers' museum / edited by Hilde Van Gelder.
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239 pages : color illustrations ; 24 cm
Allan Sekula : ship of fools / the dockers' museum / edited by Hilde Van Gelder.
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239 pages : color illustrations ; 24 cm
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Leuven : Leuven University Press, [2015], ©2015
Leuven : Leuven University Press, [2015], ©2015
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271 pages : illustrations (chiefly color), maps ; 30 cm.
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271 pages : illustrations (chiefly color), maps ; 30 cm.
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Zurich : Park Books, [2021], ©2021
Zurich : Park Books, [2021], ©2021
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Swissness applied : learning from New Glarus / Nicole McIntosh & Jonathan Louie.
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271 pages : illustrations (chiefly color), maps ; 30 cm.
Swissness applied : learning from New Glarus / Nicole McIntosh & Jonathan Louie.
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271 pages : illustrations (chiefly color), maps ; 30 cm.
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Zurich : Park Books, [2021], ©2021
Zurich : Park Books, [2021], ©2021
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296 pages : illustrations (some color), maps (some color) ; 24 cm
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296 pages : illustrations (some color), maps (some color) ; 24 cm
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New York, NY : Columbia Books on Architecture and the City, [2017], ©2017
New York, NY : Columbia Books on Architecture and the City, [2017], ©2017
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Architecture is all over / edited by Esther Choi and Marrikka Trotter.
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296 pages : illustrations (some color), maps (some color) ; 24 cm
Architecture is all over / edited by Esther Choi and Marrikka Trotter.
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296 pages : illustrations (some color), maps (some color) ; 24 cm
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New York, NY : Columbia Books on Architecture and the City, [2017], ©2017
New York, NY : Columbia Books on Architecture and the City, [2017], ©2017
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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
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Les Cahiers du Musée national d'art moderne 103, printemps 2008
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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
Les Cahiers du Musée national d'art moderne 103, printemps 2008
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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
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janvier 1900
janvier 1900
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[52] pages : illustrations ; 27 x 20 cm.
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[52] pages : illustrations ; 27 x 20 cm.
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New York : E.P. Dutton & Company, Inc., 1930 (United States of America : Stratford Press)
New York : E.P. Dutton & Company, Inc., 1930 (United States of America : Stratford Press)
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Ultimo : an imaginative narration of life under the earth / with projections by John Vassos and the text by Ruth Vassos.
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[52] pages : illustrations ; 27 x 20 cm.
Ultimo : an imaginative narration of life under the earth / with projections by John Vassos and the text by Ruth Vassos.
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[52] pages : illustrations ; 27 x 20 cm.
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New York : E.P. Dutton & Company, Inc., 1930 (United States of America : Stratford Press)
New York : E.P. Dutton & Company, Inc., 1930 (United States of America : Stratford Press)
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$36.95
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Anonymous snapshots are the ideal projection screen: they inspire the imagination to invent stories. The photographer and artist Luciano Rigolini demonstrates, however, that these images, freed from their context, can also convey a visual experience. Rigolini pieces together his findings from flea markets, archives, or the Internet to create a new, independent work - a(...)
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Anonymous snapshots are the ideal projection screen: they inspire the imagination to invent stories. The photographer and artist Luciano Rigolini demonstrates, however, that these images, freed from their context, can also convey a visual experience. Rigolini pieces together his findings from flea markets, archives, or the Internet to create a new, independent work - a(...)
Titre:
What you see- Luciano Rigolini
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Anonymous snapshots are the ideal projection screen: they inspire the imagination to invent stories. The photographer and artist Luciano Rigolini demonstrates, however, that these images, freed from their context, can also convey a visual experience. Rigolini pieces together his findings from flea markets, archives, or the Internet to create a new, independent work - a grammar of seeing and perception. Les instantanés anonymes sont des surfaces de projection idéales : ils incitent l'imagination à inventer des histoires. Artiste photographe, Luciano Rigolini révèle que, même détachées de leur contexte, ces images peuvent transmettre une expérience visuelle. En fouillant dans les marchés aux puces, les archives et l'Internet, il trouve tout un matériel qu'il assemble ensuite pour en faire une œuvre nouvelle, autonome, une grammaire de la vision et de la perception.
What you see- Luciano Rigolini
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$36.95
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Anonymous snapshots are the ideal projection screen: they inspire the imagination to invent stories. The photographer and artist Luciano Rigolini demonstrates, however, that these images, freed from their context, can also convey a visual experience. Rigolini pieces together his findings from flea markets, archives, or the Internet to create a new, independent work - a grammar of seeing and perception. Les instantanés anonymes sont des surfaces de projection idéales : ils incitent l'imagination à inventer des histoires. Artiste photographe, Luciano Rigolini révèle que, même détachées de leur contexte, ces images peuvent transmettre une expérience visuelle. En fouillant dans les marchés aux puces, les archives et l'Internet, il trouve tout un matériel qu'il assemble ensuite pour en faire une œuvre nouvelle, autonome, une grammaire de la vision et de la perception.
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livres
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novembre 2008, Baden
novembre 2008, Baden
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$55.95
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In this long-awaited translation of "La Règle et le Modèle" (1980), a seminal work on architectural and urban theory, Francoise Choay elucidates the entwined fate of two theoretical genres, one represented by Alberti's architectural rule book De re asdificatoria, the other by Thomas More's idealizing projection of Utopia.
$55.95
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Résumé:
In this long-awaited translation of "La Règle et le Modèle" (1980), a seminal work on architectural and urban theory, Francoise Choay elucidates the entwined fate of two theoretical genres, one represented by Alberti's architectural rule book De re asdificatoria, the other by Thomas More's idealizing projection of Utopia.
Titre:
The rule and the model : on the theory of architecture and urbanism
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$55.95
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In this long-awaited translation of "La Règle et le Modèle" (1980), a seminal work on architectural and urban theory, Francoise Choay elucidates the entwined fate of two theoretical genres, one represented by Alberti's architectural rule book De re asdificatoria, the other by Thomas More's idealizing projection of Utopia.
The rule and the model : on the theory of architecture and urbanism
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$55.95
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In this long-awaited translation of "La Règle et le Modèle" (1980), a seminal work on architectural and urban theory, Francoise Choay elucidates the entwined fate of two theoretical genres, one represented by Alberti's architectural rule book De re asdificatoria, the other by Thomas More's idealizing projection of Utopia.
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livres
livres
Publication:
janvier 1997, Cambridge, Mass.
janvier 1997, Cambridge, Mass.
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
