livres
Description:
25 volumes : all illustrations ; 81 cm
[Paris] : [Didot], [approximately 1835-1839]
[Works] / [Giovanni Piranesi].
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25 volumes : all illustrations ; 81 cm
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[Paris] : [Didot], [approximately 1835-1839]
Série(s)
Hermann Finsterlin
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
1919-1923
Hermann Finsterlin
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AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
series
1919-1923
livres
Description:
xlviii pages, 300 plates 22 cm
New York, Dover Publications [1962]
Costumes of the Greeks and Romans (formerly titled: Costume of the ancients).
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xlviii pages, 300 plates 22 cm
livres
New York, Dover Publications [1962]
livres
Description:
1 volume (unpaged) : color illustrations, plans ; 24 cm
Barcelona, Spain : Promopress, 2016., ©2016
Ephemeral architecture : 100 projects, 1000 ideas / Àlex S. Vidiella, ed.
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1 volume (unpaged) : color illustrations, plans ; 24 cm
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Barcelona, Spain : Promopress, 2016., ©2016
livres
Description:
ix, 291 pages : illustrations ; 32 cm
Austin : University of Texas Press, 2001., Hong Kong : C&C Offset Printing Co., Ltd.
Mexican suite : a history of photography in Mexico / by Olivier Debroise ; translated and revised in collaboration with the author by Stella de Sá Rego.
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ix, 291 pages : illustrations ; 32 cm
livres
Austin : University of Texas Press, 2001., Hong Kong : C&C Offset Printing Co., Ltd.
$34.50
(disponible sur commande)
Résumé:
''An uncanny Impulse'' presents selections from the archive of Mohsen Yammine, a Lebanese journalist who has been collecting photographs from Tripoli and Northern Lebanon since 1979. These works offer a glimpse of Lebanon between 1920 and 1960.
An uncanny impulse: The Mohsen Yammine Collection at the Arab Image Foundation
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$34.50
(disponible sur commande)
Résumé:
''An uncanny Impulse'' presents selections from the archive of Mohsen Yammine, a Lebanese journalist who has been collecting photographs from Tripoli and Northern Lebanon since 1979. These works offer a glimpse of Lebanon between 1920 and 1960.
Photographie- collections