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articles
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Désenchantements technologiques
Désenchantements technologiques
Mot(s)-clé(s):
Antiquité, antiquité, Antiquity, Buffon, Charles de Wailly, Charles-François Viel, Claude-Nicolas Ledoux, dessin, drawing, Etienne-Louis Boullée, Étienne-Louis Boullée, France, French Revolution, Grèce, Greece, hôpital, hospital, Jacques-Germain Soufflot, Jean-Louis Viel de Saint-Maux, Jean-Nicolas-Louis Durand, Lettres d’architecture des anciens et celle des moderns, Panthéon, Paris, Paul Holmquist, Principes de l’ordonnance et de la construction des bâtimens, Renaissance, Révolution française, Rome, Sainte-Geneviève, Vitruve,
Antiquité, antiquité, Antiquity, Buffon, Charles de Wailly, Charles-François Viel, Claude-Nicolas Ledoux, dessin, drawing, Etienne-Louis Boullée, Étienne-Louis Boullée, France, French Revolution, Grèce, Greece, hôpital, hospital, Jacques-Germain Soufflot, Jean-Louis Viel de Saint-Maux, Jean-Nicolas-Louis Durand, Lettres d’architecture des anciens et celle des moderns, Panthéon, Paris, Paul Holmquist, Principes de l’ordonnance et de la construction des bâtimens, Renaissance, Révolution française, Rome, Sainte-Geneviève, Vitruve,
Publié:
28 novembre 2011
28 novembre 2011
Dossier:
Désenchantements technologiques
Désenchantements technologiques
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Rohault de Fleury
Collection Rohault de Fleury
Numéro de référence:
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Personnes et institutions:
Date:
1717-[1884]
1717-[1884]
Titre:
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Classification:
archives
Niveau de description archivistique:
Collection 1
archives
Niveau de description archivistique:
Collection 1
Date:
1717-[1884]
1717-[1884]
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livres
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168, [90] pages : illustrations, facsimiles, plans, portrait ; 25 cm
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168, [90] pages : illustrations, facsimiles, plans, portrait ; 25 cm
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Eindhoven : Technische Universiteit, ©1990.
Eindhoven : Technische Universiteit, ©1990.
Titre:
De tractaten van Jean Nicolas Louis Durand : proefschrift / door Gerard van Zeijl.
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168, [90] pages : illustrations, facsimiles, plans, portrait ; 25 cm
De tractaten van Jean Nicolas Louis Durand : proefschrift / door Gerard van Zeijl.
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168, [90] pages : illustrations, facsimiles, plans, portrait ; 25 cm
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livres
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Eindhoven : Technische Universiteit, ©1990.
Eindhoven : Technische Universiteit, ©1990.
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335 pages : illustrations ; 29 cm.
Description:
335 pages : illustrations ; 29 cm.
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Paris : Picard, 1984.
Paris : Picard, 1984.
Titre:
Jean-Nicolas-Louis Durand, 1760-1834 : de l'imitation à la norme / Werner Szambien ; préface de Bernard Huet.
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335 pages : illustrations ; 29 cm.
Jean-Nicolas-Louis Durand, 1760-1834 : de l'imitation à la norme / Werner Szambien ; préface de Bernard Huet.
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335 pages : illustrations ; 29 cm.
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Paris : Picard, 1984.
Paris : Picard, 1984.
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xiii, 342 pages : illustrations ; 26 cm
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xiii, 342 pages : illustrations ; 26 cm
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Los Angeles, CA : Getty Research Institute, 2000.
Los Angeles, CA : Getty Research Institute, 2000.
Titre:
Précis of the lectures on architecture : with, Graphic portion of the lectures on architecture / Jean-Nicolas-Louis Durand ; introduction by Antoine Picon ; translation by David Britt.
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xiii, 342 pages : illustrations ; 26 cm
Précis of the lectures on architecture : with, Graphic portion of the lectures on architecture / Jean-Nicolas-Louis Durand ; introduction by Antoine Picon ; translation by David Britt.
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xiii, 342 pages : illustrations ; 26 cm
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livres
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Los Angeles, CA : Getty Research Institute, 2000.
Los Angeles, CA : Getty Research Institute, 2000.
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livres
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xii pages, 213 columns, 105 pages of plates : illustrations, plans ; 34 x 42 cm
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xii pages, 213 columns, 105 pages of plates : illustrations, plans ; 34 x 42 cm
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Nördlingen : A. Uhl, 1986.
Nördlingen : A. Uhl, 1986.
Titre:
Recueil et parallèle des édifices en tout genre, anciens et modernes, remarquables par leur beauté, par leur grandeur ou par leur singularité / Jean Nicolas Louis Durand. Essai sur l'histoire générale de l'architecture pour servir de texte explicatif au Recueil et parallele des édifices par J.N.C. Durand / Jacques Guillaume Legrand.
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xii pages, 213 columns, 105 pages of plates : illustrations, plans ; 34 x 42 cm
Recueil et parallèle des édifices en tout genre, anciens et modernes, remarquables par leur beauté, par leur grandeur ou par leur singularité / Jean Nicolas Louis Durand. Essai sur l'histoire générale de l'architecture pour servir de texte explicatif au Recueil et parallele des édifices par J.N.C. Durand / Jacques Guillaume Legrand.
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xii pages, 213 columns, 105 pages of plates : illustrations, plans ; 34 x 42 cm
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livres
livres
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Nördlingen : A. Uhl, 1986.
Nördlingen : A. Uhl, 1986.
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607 pages : illustrations, plans ; 25 cm.
Description:
607 pages : illustrations, plans ; 25 cm.
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Lausanne : Presses polytechniques et universitaires romandes, 2009.
Lausanne : Presses polytechniques et universitaires romandes, 2009.
Titre:
Composition, non-composition : architecture et théories, XIXe-XXe siècles / Jacques Lucan.
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607 pages : illustrations, plans ; 25 cm.
Composition, non-composition : architecture et théories, XIXe-XXe siècles / Jacques Lucan.
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607 pages : illustrations, plans ; 25 cm.
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Lausanne : Presses polytechniques et universitaires romandes, 2009.
Lausanne : Presses polytechniques et universitaires romandes, 2009.
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344 pages : illustrations, maps, plans ; 26 cm
Description:
344 pages : illustrations, maps, plans ; 26 cm
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Berlin : Ruby Press, ©2013.
Berlin : Ruby Press, ©2013.
Titre:
The city as a project / edited by Pier Vittorio Aureli.
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344 pages : illustrations, maps, plans ; 26 cm
The city as a project / edited by Pier Vittorio Aureli.
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344 pages : illustrations, maps, plans ; 26 cm
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Berlin : Ruby Press, ©2013.
Berlin : Ruby Press, ©2013.
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dessins
dessins
Numéro de référence:
DR1974:0002:035:001-034
Description:
- This album consists primarily of preliminary and design development drawings for diverse projects - mostly domestic - from the early years of Hubert Rohault de Fleury's career. Some of the fifteen more finished drawings in wash and watercolour are probably presentation drawings. Many of the drawings are inscribed with illegible or partially legible notations concerning the project's location, client, date and other particulars. There are seven drawings for a house on rue d'Aguesseau, Paris, probably the Rohault de Fleury family residence (DR1974:0002:035:002 - DR1974:OOO2:035:006 R/V) and several drawings for a house for Rohault de Fleury's uncle on rue Saint-Romain, Paris (DR1974:0002:035:012 V). Several drawings are after plates published in Durand's "Précis des Leçons d'architecture données à l'école Royale Polytechnique (1802-1805)": plans on drawings DR1974:0002:035:011 V, DR1974:0002:035:012 R are adapted from plate 25 and combined with façades designed by Rohault de Fleury, and drawing DR1974:0002:035:013 R is based on an engraving by Charles-Pierre-Joseph Normand (pl. 23) of Hôtel Lathuille in Paris which was designed by Jean-Nicolas-Louis Durand (1788). Perspective sketches and plans are included for the restoration of a château in Rocheux [?] for M. le Trône (DR1974:0002:035:017 R) and for the renovation for the house at Domaine de la Vallée (DR1974:0002:035:020). The drawing for a country villa was executed in 1804, while Rohault de Fleury was in Rome studying at the French Academy (DR1974:0002:035:021 R). The conceptual drawing of a small "orchestre" and the elevations of a gallery and portico gate are inscribed "Jardin du Frascati", and are perhaps travel sketches or projects executed while Rohault de Fleury was in Rome (DR1974:0002:035:032 V, DR1974:002:035:033 R, and DR1974:0002:035:034). Also included in the album are two plans for part of the Passage du saumon in Paris (DR1974:0002:035:014 R), a plan, elevation and section for a rustic pavilion for M. Abrial (DR1974:0002:035:024 V), a plan for a shepherd's house in St. Cueufin [?] (DR1974:0002:035:021 V), a house for M. Quitton in Paris (DR1974:0002:035:026 - DR1974:0002:035:027), a section, elevation and plan for a sheepfold (DR1974:0002:035:033 V) and a perspective for a rustic cabin (DR1974:0002:035:034). The album also contains a number of drawings for Empire-style interior design projects: interior wall elevations, furniture drawings, and plans, elevations and perspectives for a bed alcove.
DR1974:0002:035:001-034
Description:
- This album consists primarily of preliminary and design development drawings for diverse projects - mostly domestic - from the early years of Hubert Rohault de Fleury's career. Some of the fifteen more finished drawings in wash and watercolour are probably presentation drawings. Many of the drawings are inscribed with illegible or partially legible notations concerning the project's location, client, date and other particulars. There are seven drawings for a house on rue d'Aguesseau, Paris, probably the Rohault de Fleury family residence (DR1974:0002:035:002 - DR1974:OOO2:035:006 R/V) and several drawings for a house for Rohault de Fleury's uncle on rue Saint-Romain, Paris (DR1974:0002:035:012 V). Several drawings are after plates published in Durand's "Précis des Leçons d'architecture données à l'école Royale Polytechnique (1802-1805)": plans on drawings DR1974:0002:035:011 V, DR1974:0002:035:012 R are adapted from plate 25 and combined with façades designed by Rohault de Fleury, and drawing DR1974:0002:035:013 R is based on an engraving by Charles-Pierre-Joseph Normand (pl. 23) of Hôtel Lathuille in Paris which was designed by Jean-Nicolas-Louis Durand (1788). Perspective sketches and plans are included for the restoration of a château in Rocheux [?] for M. le Trône (DR1974:0002:035:017 R) and for the renovation for the house at Domaine de la Vallée (DR1974:0002:035:020). The drawing for a country villa was executed in 1804, while Rohault de Fleury was in Rome studying at the French Academy (DR1974:0002:035:021 R). The conceptual drawing of a small "orchestre" and the elevations of a gallery and portico gate are inscribed "Jardin du Frascati", and are perhaps travel sketches or projects executed while Rohault de Fleury was in Rome (DR1974:0002:035:032 V, DR1974:002:035:033 R, and DR1974:0002:035:034). Also included in the album are two plans for part of the Passage du saumon in Paris (DR1974:0002:035:014 R), a plan, elevation and section for a rustic pavilion for M. Abrial (DR1974:0002:035:024 V), a plan for a shepherd's house in St. Cueufin [?] (DR1974:0002:035:021 V), a house for M. Quitton in Paris (DR1974:0002:035:026 - DR1974:0002:035:027), a section, elevation and plan for a sheepfold (DR1974:0002:035:033 V) and a perspective for a rustic cabin (DR1974:0002:035:034). The album also contains a number of drawings for Empire-style interior design projects: interior wall elevations, furniture drawings, and plans, elevations and perspectives for a bed alcove.
Personnes et institutions:
Sujet:
architecture, architecture de paysage, design d'intérieur
architecture, architecture de paysage, design d'intérieur
Date:
early 19th century
early 19th century
Titre:
Album of drawings, mostly for French town and country houses, including some drawings for interiors and furniture, and one drawing for the Passage du saumon, Paris
DR1974:0002:035:001-034
Description:
- This album consists primarily of preliminary and design development drawings for diverse projects - mostly domestic - from the early years of Hubert Rohault de Fleury's career. Some of the fifteen more finished drawings in wash and watercolour are probably presentation drawings. Many of the drawings are inscribed with illegible or partially legible notations concerning the project's location, client, date and other particulars. There are seven drawings for a house on rue d'Aguesseau, Paris, probably the Rohault de Fleury family residence (DR1974:0002:035:002 - DR1974:OOO2:035:006 R/V) and several drawings for a house for Rohault de Fleury's uncle on rue Saint-Romain, Paris (DR1974:0002:035:012 V). Several drawings are after plates published in Durand's "Précis des Leçons d'architecture données à l'école Royale Polytechnique (1802-1805)": plans on drawings DR1974:0002:035:011 V, DR1974:0002:035:012 R are adapted from plate 25 and combined with façades designed by Rohault de Fleury, and drawing DR1974:0002:035:013 R is based on an engraving by Charles-Pierre-Joseph Normand (pl. 23) of Hôtel Lathuille in Paris which was designed by Jean-Nicolas-Louis Durand (1788). Perspective sketches and plans are included for the restoration of a château in Rocheux [?] for M. le Trône (DR1974:0002:035:017 R) and for the renovation for the house at Domaine de la Vallée (DR1974:0002:035:020). The drawing for a country villa was executed in 1804, while Rohault de Fleury was in Rome studying at the French Academy (DR1974:0002:035:021 R). The conceptual drawing of a small "orchestre" and the elevations of a gallery and portico gate are inscribed "Jardin du Frascati", and are perhaps travel sketches or projects executed while Rohault de Fleury was in Rome (DR1974:0002:035:032 V, DR1974:002:035:033 R, and DR1974:0002:035:034). Also included in the album are two plans for part of the Passage du saumon in Paris (DR1974:0002:035:014 R), a plan, elevation and section for a rustic pavilion for M. Abrial (DR1974:0002:035:024 V), a plan for a shepherd's house in St. Cueufin [?] (DR1974:0002:035:021 V), a house for M. Quitton in Paris (DR1974:0002:035:026 - DR1974:0002:035:027), a section, elevation and plan for a sheepfold (DR1974:0002:035:033 V) and a perspective for a rustic cabin (DR1974:0002:035:034). The album also contains a number of drawings for Empire-style interior design projects: interior wall elevations, furniture drawings, and plans, elevations and perspectives for a bed alcove.
Album of drawings, mostly for French town and country houses, including some drawings for interiors and furniture, and one drawing for the Passage du saumon, Paris
DR1974:0002:035:001-034
Description:
- This album consists primarily of preliminary and design development drawings for diverse projects - mostly domestic - from the early years of Hubert Rohault de Fleury's career. Some of the fifteen more finished drawings in wash and watercolour are probably presentation drawings. Many of the drawings are inscribed with illegible or partially legible notations concerning the project's location, client, date and other particulars. There are seven drawings for a house on rue d'Aguesseau, Paris, probably the Rohault de Fleury family residence (DR1974:0002:035:002 - DR1974:OOO2:035:006 R/V) and several drawings for a house for Rohault de Fleury's uncle on rue Saint-Romain, Paris (DR1974:0002:035:012 V). Several drawings are after plates published in Durand's "Précis des Leçons d'architecture données à l'école Royale Polytechnique (1802-1805)": plans on drawings DR1974:0002:035:011 V, DR1974:0002:035:012 R are adapted from plate 25 and combined with façades designed by Rohault de Fleury, and drawing DR1974:0002:035:013 R is based on an engraving by Charles-Pierre-Joseph Normand (pl. 23) of Hôtel Lathuille in Paris which was designed by Jean-Nicolas-Louis Durand (1788). Perspective sketches and plans are included for the restoration of a château in Rocheux [?] for M. le Trône (DR1974:0002:035:017 R) and for the renovation for the house at Domaine de la Vallée (DR1974:0002:035:020). The drawing for a country villa was executed in 1804, while Rohault de Fleury was in Rome studying at the French Academy (DR1974:0002:035:021 R). The conceptual drawing of a small "orchestre" and the elevations of a gallery and portico gate are inscribed "Jardin du Frascati", and are perhaps travel sketches or projects executed while Rohault de Fleury was in Rome (DR1974:0002:035:032 V, DR1974:002:035:033 R, and DR1974:0002:035:034). Also included in the album are two plans for part of the Passage du saumon in Paris (DR1974:0002:035:014 R), a plan, elevation and section for a rustic pavilion for M. Abrial (DR1974:0002:035:024 V), a plan for a shepherd's house in St. Cueufin [?] (DR1974:0002:035:021 V), a house for M. Quitton in Paris (DR1974:0002:035:026 - DR1974:0002:035:027), a section, elevation and plan for a sheepfold (DR1974:0002:035:033 V) and a perspective for a rustic cabin (DR1974:0002:035:034). The album also contains a number of drawings for Empire-style interior design projects: interior wall elevations, furniture drawings, and plans, elevations and perspectives for a bed alcove.
Classification:
dessins
dessins
Date:
early 19th century
early 19th century
Personnes et institutions:
Sujet:
architecture, architecture de paysage, design d'intérieur
architecture, architecture de paysage, design d'intérieur
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Numéro de référence:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Personnes et institutions:
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
Titre:
Album of mostly student drawings of the Orders
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Album of mostly student drawings of the Orders
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
Personnes et institutions:
