articles
L’esthétique de l’ingénierie
Désenchantements technologiques
20th century, Alfred Gotthold Meyer, Allemagne, Deutscher Werkbund, engineering, Friedrich Naumann, Germany, ingénierie, Ingenieur-Ästhetik, Joseph August Lux, Karl Marx, Katherine Romba, Munich, Rudolf Metzger, William Morris, XXe siècle
14 octobre 2010
Désenchantements technologiques
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[2], 72, [1] pages : illustrations ; 22 cm
Jena : Eugen Diederichs, 1917.
Die dynamische Empfindung in der angewandten Kunst : Ein Beitrag zur künstlerischen Gestaltung der Technik / Rudolf Metzger.
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[2], 72, [1] pages : illustrations ; 22 cm
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Jena : Eugen Diederichs, 1917.
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223 pages : illustrations (chiefly color), music, plans ; 24 cm
Berlin : Jovis, [2018]
Neuroarchitecture / Christoph Metzger ; [translated from German by Rae Walter in association with First Edition Translations Ltd, Cambridge, UK].
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223 pages : illustrations (chiefly color), music, plans ; 24 cm
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Berlin : Jovis, [2018]
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Education of vision.
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233 pages y 28 cm.
New York Braziller 1965.
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New York Braziller 1965.
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xxv, 590 pages : illustrations ; 25 cm
Malden, MA ; Oxford ; Carlton, Victoria, Australia : Blackwell Pub., 2006.
Architectural theory. Vol. I, An anthology from Vitruvius to 1870 / edited by Harry Francis Mallgrave.
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xxv, 590 pages : illustrations ; 25 cm
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Malden, MA ; Oxford ; Carlton, Victoria, Australia : Blackwell Pub., 2006.
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190 pages : illustrations (some color) ; 26 cm
New York : Rizzoli, 1982.
Versus, an American architect's alternatives / by Stanley Tigerman ; with essays by Ross Miller and Dorothy Metzger Habel.
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190 pages : illustrations (some color) ; 26 cm
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New York : Rizzoli, 1982.
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Cell phones and E-mail, home shopping and the Internet - "old" industrial societies have been turning into globally connected information societies on the sly. At the same time, the population is tending to retreat into its own four walls. Yet - or maybe for this reason - public urban spaces are becoming more and more important, having lost none of their significance as(...)
Théorie de l’urbanisme
janvier 1900, Ostfildern-Ruit
No art = no city! : urban utopias in contemporary art
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Résumé:
Cell phones and E-mail, home shopping and the Internet - "old" industrial societies have been turning into globally connected information societies on the sly. At the same time, the population is tending to retreat into its own four walls. Yet - or maybe for this reason - public urban spaces are becoming more and more important, having lost none of their significance as interfaces of human communication. This catalogue is published in conjunction with the thirtieth anniversary of the Bremen program for public art. It features over thirty artists who have confronted urban and social aspects of the city and developed their own personal visions, utopias and fantasies of a life in and with the city. Artists featured: Kim Adams, Louise Bourgeois, Stephen Craig, Bogomir Ecker, Olafur Eliasson, Ayse Erkmen, Isa Genzken, Dorothee Golz, Wiebke Grösch/Frank Metzger, Hans Haacke, Rudolf Herz, Stephan Huber, Rolf Julius, Emilia und Ilya Kabakov, Andree Korpys/Markus Löffler, Mischa Kuball, Atelier Van Lieshout, M+M, Joachim Manz, Olaf Nicolai, Julian Opie, Panamarenko, Hermann Pitz, Marjetica Potrc, Tobias Rehberger, Thomas Ruff/Florian Baudrexel/Jens Ullrich, Roman Signer, Bert Theis, herman de vries, Wolfgang Winter/Berthold Hörbelt
Théorie de l’urbanisme