284 Résultats
Classification:
articles
articles
Actions:
Jola Idowu s’intéresse à l’infrastructure de protestation à Chicago
Dossier:
Pour votre sécurité
Pour votre sécurité
Mot(s)-clé(s):
infrastructure, protestation, Chicago, convention nationale démocrate, pont, police, manifestations
infrastructure, protestation, Chicago, convention nationale démocrate, pont, police, manifestations
Publié:
19 août 2024
19 août 2024
Titre:
Architectures de la dissidence
Jola Idowu s’intéresse à l’infrastructure de protestation à Chicago
Actions:
Architectures de la dissidence
Jola Idowu s’intéresse à l’infrastructure de protestation à Chicago
Actions:
Dossier:
Pour votre sécurité
Pour votre sécurité
Classification:
expositions
expositions
Actions:
Description:
Les blocs pénitenciers en forme de H du Maze ont été le puissant symbole des conflits politiques et des mouvements de protestation souvent violents dont l’Irlande du Nord a été le théâtre. Ouverte en 1971 par le gouvernement britannique, la prison prévoyait d’enfermer les loyalistes et les républicains dans des lieux différents selon le statut des prisonniers : les(...)
Les blocs pénitenciers en forme de H du Maze ont été le puissant symbole des conflits politiques et des mouvements de protestation souvent violents dont l’Irlande du Nord a été le théâtre. Ouverte en 1971 par le gouvernement britannique, la prison prévoyait d’enfermer les loyalistes et les républicains dans des lieux différents selon le statut des prisonniers : les(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
5 septembre 2013 au 12 janvier 2014
5 septembre 2013 au 12 janvier 2014
Titre:
BLOC H : Établissement carcéral – Donovan Wylie
Actions:
Description:
Les blocs pénitenciers en forme de H du Maze ont été le puissant symbole des conflits politiques et des mouvements de protestation souvent violents dont l’Irlande du Nord a été le théâtre. Ouverte en 1971 par le gouvernement britannique, la prison prévoyait d’enfermer les loyalistes et les républicains dans des lieux différents selon le statut des prisonniers : les(...)
BLOC H : Établissement carcéral – Donovan Wylie
Actions:
Description:
Les blocs pénitenciers en forme de H du Maze ont été le puissant symbole des conflits politiques et des mouvements de protestation souvent violents dont l’Irlande du Nord a été le théâtre. Ouverte en 1971 par le gouvernement britannique, la prison prévoyait d’enfermer les loyalistes et les républicains dans des lieux différents selon le statut des prisonniers : les(...)
Classification:
expositions
expositions
Date:
5 septembre 2013 au
12 janvier 2014
5 septembre 2013 au
12 janvier 2014
Localisation:
Salle octogonale
Salle octogonale
Classification:
expositions
expositions
Actions:
Description:
Surface du quotidien : La pelouse en Amérique montre la pelouse comme symbole de la vie domestique, espace public de représentation, agent économique et icône de l’Amérique. Les pavillons des lotissements de banlieue, les sièges d’entreprise établis en milieu suburbain et la Maison Blanche ont une chose en commun : tous ces bâtiments sont entourés d’une pelouse – une(...)
Surface du quotidien : La pelouse en Amérique montre la pelouse comme symbole de la vie domestique, espace public de représentation, agent économique et icône de l’Amérique. Les pavillons des lotissements de banlieue, les sièges d’entreprise établis en milieu suburbain et la Maison Blanche ont une chose en commun : tous ces bâtiments sont entourés d’une pelouse – une(...)
Localisation:
Salles principales, salle octogonale et vitrines
Salles principales, salle octogonale et vitrines
Date:
16 juin 1998 au 8 novembre 1998
16 juin 1998 au 8 novembre 1998
Titre:
Surface du quotidien : la pelouse en Amérique
Actions:
Description:
Surface du quotidien : La pelouse en Amérique montre la pelouse comme symbole de la vie domestique, espace public de représentation, agent économique et icône de l’Amérique. Les pavillons des lotissements de banlieue, les sièges d’entreprise établis en milieu suburbain et la Maison Blanche ont une chose en commun : tous ces bâtiments sont entourés d’une pelouse – une(...)
Surface du quotidien : la pelouse en Amérique
Actions:
Description:
Surface du quotidien : La pelouse en Amérique montre la pelouse comme symbole de la vie domestique, espace public de représentation, agent économique et icône de l’Amérique. Les pavillons des lotissements de banlieue, les sièges d’entreprise établis en milieu suburbain et la Maison Blanche ont une chose en commun : tous ces bâtiments sont entourés d’une pelouse – une(...)
Classification:
expositions
expositions
Date:
16 juin 1998 au
8 novembre 1998
16 juin 1998 au
8 novembre 1998
Localisation:
Salles principales, salle octogonale et vitrines
Salles principales, salle octogonale et vitrines
Titre:
CONTRABIENAL
CONTRABIENAL
Numéro de référence:
PH2006:0279
Description:
Paperbound book of statements in Spanish, Portuguese, and English put together by New York artists as a "counter-bienal," as a protest against the San Paulo bienal in 1971.
PH2006:0279
Description:
Paperbound book of statements in Spanish, Portuguese, and English put together by New York artists as a "counter-bienal," as a protest against the San Paulo bienal in 1971.
Personnes et institutions:
Date:
1971
1971
Titre:
CONTRABIENAL
Actions:
PH2006:0279
Description:
Paperbound book of statements in Spanish, Portuguese, and English put together by New York artists as a "counter-bienal," as a protest against the San Paulo bienal in 1971.
CONTRABIENAL
Actions:
PH2006:0279
Description:
Paperbound book of statements in Spanish, Portuguese, and English put together by New York artists as a "counter-bienal," as a protest against the San Paulo bienal in 1971.
Date:
1971
1971
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH276124
Description:
20 files - Group contains office records from Arthur Erickson Architectural Corporation and Aitken & Wregelsworth Associates, where Arthur Erickon worked as design consultant. Includes: Bob Williams; Ex Staff; Bankruptcy Letters; Museum of Anthropology, Vancouver Art Gallery, correspondence (business, reference and some persona)l; Project Proposals (old AEAC); files on current, potential and future projects; Environment - a file related to the Clayoquot Sound protests in 1993.
ARCH276124
Description:
20 files - Group contains office records from Arthur Erickson Architectural Corporation and Aitken & Wregelsworth Associates, where Arthur Erickon worked as design consultant. Includes: Bob Williams; Ex Staff; Bankruptcy Letters; Museum of Anthropology, Vancouver Art Gallery, correspondence (business, reference and some persona)l; Project Proposals (old AEAC); files on current, potential and future projects; Environment - a file related to the Clayoquot Sound protests in 1993.
Personnes et institutions:
Date:
1990-2000
1990-2000
Titre:
Correspondence and proposals from Erickson's office
Actions:
ARCH276124
Description:
20 files - Group contains office records from Arthur Erickson Architectural Corporation and Aitken & Wregelsworth Associates, where Arthur Erickon worked as design consultant. Includes: Bob Williams; Ex Staff; Bankruptcy Letters; Museum of Anthropology, Vancouver Art Gallery, correspondence (business, reference and some persona)l; Project Proposals (old AEAC); files on current, potential and future projects; Environment - a file related to the Clayoquot Sound protests in 1993.
Correspondence and proposals from Erickson's office
Actions:
ARCH276124
Description:
20 files - Group contains office records from Arthur Erickson Architectural Corporation and Aitken & Wregelsworth Associates, where Arthur Erickon worked as design consultant. Includes: Bob Williams; Ex Staff; Bankruptcy Letters; Museum of Anthropology, Vancouver Art Gallery, correspondence (business, reference and some persona)l; Project Proposals (old AEAC); files on current, potential and future projects; Environment - a file related to the Clayoquot Sound protests in 1993.
Classification:
documents textuels
documents textuels
Date:
1990-2000
1990-2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
Personnes et institutions:
Date:
circa 1967-2015
circa 1967-2015
Titre:
The Pig “Carosello Italiano” (1967)
Actions:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
The Pig “Carosello Italiano” (1967)
Actions:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
Niveau de description archivistique:
Project
Project
Date:
circa 1967-2015
circa 1967-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CD034.S2
Description:
This series contains reproductions of photographs that were taken by Alexandre Alves Costa from 1974 to 1976. The photographs document the Portuguese Revolution and the beginning of the SAAL process. The material gives a sample of events that occurred at the time, such as protests and assemblies, and shows political graffiti and the living and housing conditions of families of Portuguese workers. The SAAL Process exhibition at the CCA displayed these reproductions as a timeline in one of the galleries. The arrangement of this series reflects the arrangement of the timeline. For the exhibition, photographs taken in 1974 to 1976 were selected to illustrate the events, actions and decisions that lead to the SAAL process from the beginning of the Portuguese Revolution to SAAL. Note that the reproductions of photographs documenting SAAL projects used in the exhibition are arranged under their respective project series.
CD034.S2
Description:
This series contains reproductions of photographs that were taken by Alexandre Alves Costa from 1974 to 1976. The photographs document the Portuguese Revolution and the beginning of the SAAL process. The material gives a sample of events that occurred at the time, such as protests and assemblies, and shows political graffiti and the living and housing conditions of families of Portuguese workers. The SAAL Process exhibition at the CCA displayed these reproductions as a timeline in one of the galleries. The arrangement of this series reflects the arrangement of the timeline. For the exhibition, photographs taken in 1974 to 1976 were selected to illustrate the events, actions and decisions that lead to the SAAL process from the beginning of the Portuguese Revolution to SAAL. Note that the reproductions of photographs documenting SAAL projects used in the exhibition are arranged under their respective project series.
Personnes et institutions:
Date:
1974-1976
1974-1976
Titre:
Photographs featured in the timeline, The SAAL Process exhibition
Actions:
CD034.S2
Description:
This series contains reproductions of photographs that were taken by Alexandre Alves Costa from 1974 to 1976. The photographs document the Portuguese Revolution and the beginning of the SAAL process. The material gives a sample of events that occurred at the time, such as protests and assemblies, and shows political graffiti and the living and housing conditions of families of Portuguese workers. The SAAL Process exhibition at the CCA displayed these reproductions as a timeline in one of the galleries. The arrangement of this series reflects the arrangement of the timeline. For the exhibition, photographs taken in 1974 to 1976 were selected to illustrate the events, actions and decisions that lead to the SAAL process from the beginning of the Portuguese Revolution to SAAL. Note that the reproductions of photographs documenting SAAL projects used in the exhibition are arranged under their respective project series.
Photographs featured in the timeline, The SAAL Process exhibition
Actions:
CD034.S2
Description:
This series contains reproductions of photographs that were taken by Alexandre Alves Costa from 1974 to 1976. The photographs document the Portuguese Revolution and the beginning of the SAAL process. The material gives a sample of events that occurred at the time, such as protests and assemblies, and shows political graffiti and the living and housing conditions of families of Portuguese workers. The SAAL Process exhibition at the CCA displayed these reproductions as a timeline in one of the galleries. The arrangement of this series reflects the arrangement of the timeline. For the exhibition, photographs taken in 1974 to 1976 were selected to illustrate the events, actions and decisions that lead to the SAAL process from the beginning of the Portuguese Revolution to SAAL. Note that the reproductions of photographs documenting SAAL projects used in the exhibition are arranged under their respective project series.
Niveau de description archivistique:
Series
Series
Date:
1974-1976
1974-1976
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Caspari
Fonds Peter Caspari
Numéro de référence:
AP123
Résumé:
The Peter Caspari fonds documents the education, personal and military activities of architect Peter Caspari from student work in Berlin to his immigration to England, and participation in WWII. The majority of the documents in the fonds consist of drawings relating to student building design projects, and textual records relating to architecture course notes, training for the Pioneer Corps, and professional registration as an architect.
AP123
Résumé:
The Peter Caspari fonds documents the education, personal and military activities of architect Peter Caspari from student work in Berlin to his immigration to England, and participation in WWII. The majority of the documents in the fonds consist of drawings relating to student building design projects, and textual records relating to architecture course notes, training for the Pioneer Corps, and professional registration as an architect.
Personnes et institutions:
Date:
1928-1941
1928-1941
Titre:
Fonds Peter Caspari
Actions:
AP123
Résumé:
The Peter Caspari fonds documents the education, personal and military activities of architect Peter Caspari from student work in Berlin to his immigration to England, and participation in WWII. The majority of the documents in the fonds consist of drawings relating to student building design projects, and textual records relating to architecture course notes, training for the Pioneer Corps, and professional registration as an architect.
Fonds Peter Caspari
Actions:
AP123
Résumé:
The Peter Caspari fonds documents the education, personal and military activities of architect Peter Caspari from student work in Berlin to his immigration to England, and participation in WWII. The majority of the documents in the fonds consist of drawings relating to student building design projects, and textual records relating to architecture course notes, training for the Pioneer Corps, and professional registration as an architect.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1928-1941
1928-1941
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1961.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Skeena Terrace Low Rent Housing Project, a housing development located on the eastern edge of Vancouver. Oberlander worked on this project between 1961 and 1965. The architectural firm in charge of the project was Underwood, McKinley, Cameron, Wilson & Smith Architects. The project was comprised of an eight-storey apartment tower and twenty-seven three-storey maisonettes. Oberlander was in charge of the landscape design for the twelve-acre site. The project initially included the construction of a roadway cutting the site in two, but was never built due to protests from the community. Oberlander's landscape plan included a design for an outdoor terrace and garden areas for the maisonnettes, a community garden and numerous recreational and social spaces. She also designed play scultpures for small children. The project series contains design development drawings, including landscape plans and planting plans, working drawings, including a site plan and planting plans, a specifications addendum, an invitation to the official inauguration of the project, and photographs, which are mostly of the construction site. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1961.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Skeena Terrace Low Rent Housing Project, a housing development located on the eastern edge of Vancouver. Oberlander worked on this project between 1961 and 1965. The architectural firm in charge of the project was Underwood, McKinley, Cameron, Wilson & Smith Architects. The project was comprised of an eight-storey apartment tower and twenty-seven three-storey maisonettes. Oberlander was in charge of the landscape design for the twelve-acre site. The project initially included the construction of a roadway cutting the site in two, but was never built due to protests from the community. Oberlander's landscape plan included a design for an outdoor terrace and garden areas for the maisonnettes, a community garden and numerous recreational and social spaces. She also designed play scultpures for small children. The project series contains design development drawings, including landscape plans and planting plans, working drawings, including a site plan and planting plans, a specifications addendum, an invitation to the official inauguration of the project, and photographs, which are mostly of the construction site. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Personnes et institutions:
Date:
1961-1965
1961-1965
Titre:
Skeena Terrace Low Rent Housing, Vancouver, British Columbia (1961-1965)
Actions:
AP075.S1.1961.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Skeena Terrace Low Rent Housing Project, a housing development located on the eastern edge of Vancouver. Oberlander worked on this project between 1961 and 1965. The architectural firm in charge of the project was Underwood, McKinley, Cameron, Wilson & Smith Architects. The project was comprised of an eight-storey apartment tower and twenty-seven three-storey maisonettes. Oberlander was in charge of the landscape design for the twelve-acre site. The project initially included the construction of a roadway cutting the site in two, but was never built due to protests from the community. Oberlander's landscape plan included a design for an outdoor terrace and garden areas for the maisonnettes, a community garden and numerous recreational and social spaces. She also designed play scultpures for small children. The project series contains design development drawings, including landscape plans and planting plans, working drawings, including a site plan and planting plans, a specifications addendum, an invitation to the official inauguration of the project, and photographs, which are mostly of the construction site. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Skeena Terrace Low Rent Housing, Vancouver, British Columbia (1961-1965)
Actions:
AP075.S1.1961.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Skeena Terrace Low Rent Housing Project, a housing development located on the eastern edge of Vancouver. Oberlander worked on this project between 1961 and 1965. The architectural firm in charge of the project was Underwood, McKinley, Cameron, Wilson & Smith Architects. The project was comprised of an eight-storey apartment tower and twenty-seven three-storey maisonettes. Oberlander was in charge of the landscape design for the twelve-acre site. The project initially included the construction of a roadway cutting the site in two, but was never built due to protests from the community. Oberlander's landscape plan included a design for an outdoor terrace and garden areas for the maisonnettes, a community garden and numerous recreational and social spaces. She also designed play scultpures for small children. The project series contains design development drawings, including landscape plans and planting plans, working drawings, including a site plan and planting plans, a specifications addendum, an invitation to the official inauguration of the project, and photographs, which are mostly of the construction site. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Niveau de description archivistique:
Project
Project
Date:
1961-1965
1961-1965
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153875
Description:
Two letters to PDE from John Hejduk, 1) 9 March 1978 - Request for recommendation of Raimund Abraham 2) 5 September 1973 - Letter of protest to Architecture Plus concerning the MoMA LRHD exhibition Two letters of complaint from PDE To Architectural Design, 18 January 1973, To the New York Times, 4 March 1974, with handwritten draft Letter from MoMA inviting PDE to exhibit his works Planning program for a hotel to be built in Jerusalem, 10 January 1974 Invitation to Stanley Tigerman's exhibition at PS1, February 1979 Folder : Press releases - Photocopies and newspaper clippings reviewing the MoMA LRHD exhibition Four letters to PDE, 1977- 1978 Letter from PDE to Bill N. Lacy from National Endowment for the Arts describing IAUS educational goals, 28 June 1972 Draft of the Application to the Alfred P. Sloan Foundation describing the Program in Generative Design
ARCH153875
Description:
Two letters to PDE from John Hejduk, 1) 9 March 1978 - Request for recommendation of Raimund Abraham 2) 5 September 1973 - Letter of protest to Architecture Plus concerning the MoMA LRHD exhibition Two letters of complaint from PDE To Architectural Design, 18 January 1973, To the New York Times, 4 March 1974, with handwritten draft Letter from MoMA inviting PDE to exhibit his works Planning program for a hotel to be built in Jerusalem, 10 January 1974 Invitation to Stanley Tigerman's exhibition at PS1, February 1979 Folder : Press releases - Photocopies and newspaper clippings reviewing the MoMA LRHD exhibition Four letters to PDE, 1977- 1978 Letter from PDE to Bill N. Lacy from National Endowment for the Arts describing IAUS educational goals, 28 June 1972 Draft of the Application to the Alfred P. Sloan Foundation describing the Program in Generative Design
Personnes et institutions:
Date:
1972-1979
1972-1979
Titre:
Two letters to PDE from John Hejduk
Actions:
ARCH153875
Description:
Two letters to PDE from John Hejduk, 1) 9 March 1978 - Request for recommendation of Raimund Abraham 2) 5 September 1973 - Letter of protest to Architecture Plus concerning the MoMA LRHD exhibition Two letters of complaint from PDE To Architectural Design, 18 January 1973, To the New York Times, 4 March 1974, with handwritten draft Letter from MoMA inviting PDE to exhibit his works Planning program for a hotel to be built in Jerusalem, 10 January 1974 Invitation to Stanley Tigerman's exhibition at PS1, February 1979 Folder : Press releases - Photocopies and newspaper clippings reviewing the MoMA LRHD exhibition Four letters to PDE, 1977- 1978 Letter from PDE to Bill N. Lacy from National Endowment for the Arts describing IAUS educational goals, 28 June 1972 Draft of the Application to the Alfred P. Sloan Foundation describing the Program in Generative Design
Two letters to PDE from John Hejduk
Actions:
ARCH153875
Description:
Two letters to PDE from John Hejduk, 1) 9 March 1978 - Request for recommendation of Raimund Abraham 2) 5 September 1973 - Letter of protest to Architecture Plus concerning the MoMA LRHD exhibition Two letters of complaint from PDE To Architectural Design, 18 January 1973, To the New York Times, 4 March 1974, with handwritten draft Letter from MoMA inviting PDE to exhibit his works Planning program for a hotel to be built in Jerusalem, 10 January 1974 Invitation to Stanley Tigerman's exhibition at PS1, February 1979 Folder : Press releases - Photocopies and newspaper clippings reviewing the MoMA LRHD exhibition Four letters to PDE, 1977- 1978 Letter from PDE to Bill N. Lacy from National Endowment for the Arts describing IAUS educational goals, 28 June 1972 Draft of the Application to the Alfred P. Sloan Foundation describing the Program in Generative Design
Classification:
documents textuels
documents textuels
Date:
1972-1979
1972-1979
Personnes et institutions:
