572 Résultats
Classification:
articles
articles
Titre:
L’oblitération de Bagdad
L’oblitération de Bagdad
Actions:
Amin Alsaden sur la violence infligée par les représentations de la ville dans les films occidentaux
Dossier:
Figurer un territoire
Figurer un territoire
Publié:
28 novembre 2022
28 novembre 2022
Titre:
L’oblitération de Bagdad
Amin Alsaden sur la violence infligée par les représentations de la ville dans les films occidentaux
Actions:
L’oblitération de Bagdad
Amin Alsaden sur la violence infligée par les représentations de la ville dans les films occidentaux
Actions:
Dossier:
Figurer un territoire
Figurer un territoire
Niveau de description archivistique:
Projet
Projet
Titre:
Prison project (1968)
Prison project (1968)
Numéro de référence:
AP148.S1.1968.PR01
Description:
This project series contains project drawings for an unidentified Prison project. A five page Storyboard details the ideas behind the project, and the texts which appear alongside the drawings make reference to ideas of a revolution against violence. The panopticon is also referenced in the storyboard document.
AP148.S1.1968.PR01
Description:
This project series contains project drawings for an unidentified Prison project. A five page Storyboard details the ideas behind the project, and the texts which appear alongside the drawings make reference to ideas of a revolution against violence. The panopticon is also referenced in the storyboard document.
Personnes et institutions:
Date:
1968
1968
Titre:
Prison project (1968)
Actions:
AP148.S1.1968.PR01
Description:
This project series contains project drawings for an unidentified Prison project. A five page Storyboard details the ideas behind the project, and the texts which appear alongside the drawings make reference to ideas of a revolution against violence. The panopticon is also referenced in the storyboard document.
Prison project (1968)
Actions:
AP148.S1.1968.PR01
Description:
This project series contains project drawings for an unidentified Prison project. A five page Storyboard details the ideas behind the project, and the texts which appear alongside the drawings make reference to ideas of a revolution against violence. The panopticon is also referenced in the storyboard document.
Niveau de description archivistique:
Project
Project
Date:
1968
1968
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP148.S1.1968.PR01.004
Description:
Includes two separate drawings that make up one drawing. Text below the drawings refer to ideas of a revolution against violence.
AP148.S1.1968.PR01.004
Description:
Includes two separate drawings that make up one drawing. Text below the drawings refer to ideas of a revolution against violence.
Personnes et institutions:
Date:
ca. 1968
ca. 1968
Titre:
Front and section project drawings, Prison project
Actions:
AP148.S1.1968.PR01.004
Description:
Includes two separate drawings that make up one drawing. Text below the drawings refer to ideas of a revolution against violence.
Front and section project drawings, Prison project
Actions:
AP148.S1.1968.PR01.004
Description:
Includes two separate drawings that make up one drawing. Text below the drawings refer to ideas of a revolution against violence.
Classification:
dessins
dessins
Date:
ca. 1968
ca. 1968
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
Personnes et institutions:
Date:
circa 1967-2015
circa 1967-2015
Titre:
The Pig “Carosello Italiano” (1967)
Actions:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
The Pig “Carosello Italiano” (1967)
Actions:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
Niveau de description archivistique:
Project
Project
Date:
circa 1967-2015
circa 1967-2015
Personnes et institutions:
Classification:
événements
événements
Titre:
L'enseignement de… São Paulo
L'enseignement de… São Paulo
Actions:
Description:
Angelo Bucci, architecte et professeur à l’Université de São Paulo au Brésil, aborde les questions de la violence et de l’environnement en évolution à São Paulo, en quête de nouvelles formes urbaines. À São Paulo, la violence peut être vue comme gâchant l’expérience de la ville et, par conséquent, sapant la raison d’être du travail de l’architecte. La conférence porte sur(...)
Angelo Bucci, architecte et professeur à l’Université de São Paulo au Brésil, aborde les questions de la violence et de l’environnement en évolution à São Paulo, en quête de nouvelles formes urbaines. À São Paulo, la violence peut être vue comme gâchant l’expérience de la ville et, par conséquent, sapant la raison d’être du travail de l’architecte. La conférence porte sur(...)
Date:
22 avril 2010
22 avril 2010
Titre:
L'enseignement de… São Paulo
Actions:
Description:
Angelo Bucci, architecte et professeur à l’Université de São Paulo au Brésil, aborde les questions de la violence et de l’environnement en évolution à São Paulo, en quête de nouvelles formes urbaines. À São Paulo, la violence peut être vue comme gâchant l’expérience de la ville et, par conséquent, sapant la raison d’être du travail de l’architecte. La conférence porte sur(...)
L'enseignement de… São Paulo
Actions:
Description:
Angelo Bucci, architecte et professeur à l’Université de São Paulo au Brésil, aborde les questions de la violence et de l’environnement en évolution à São Paulo, en quête de nouvelles formes urbaines. À São Paulo, la violence peut être vue comme gâchant l’expérience de la ville et, par conséquent, sapant la raison d’être du travail de l’architecte. La conférence porte sur(...)
Classification:
événements
événements
Date:
22 avril 2010
22 avril 2010
Classification:
événements
événements
Actions:
Description:
Alors que le climat de la Terre atteint un état d’instabilité constante, la prise de conscience de l’impact du réchauffement planétaire sur les droits de l’homme et l’augmentation des conflits sociaux, ne fait que s’accentuer. Une moindre attention a été accordée aux façons dont la violence politique et l’abus de droits humains, dans le passé comme dans le présent,(...)
Alors que le climat de la Terre atteint un état d’instabilité constante, la prise de conscience de l’impact du réchauffement planétaire sur les droits de l’homme et l’augmentation des conflits sociaux, ne fait que s’accentuer. Une moindre attention a été accordée aux façons dont la violence politique et l’abus de droits humains, dans le passé comme dans le présent,(...)
Localisation:
Théâtre Paul-Demarais
Théâtre Paul-Demarais
Date:
1 décembre 2016, 18h
1 décembre 2016, 18h
Titre:
Dans les frontières du changement climatique (Vers une politique des droits non humains)
Actions:
Description:
Alors que le climat de la Terre atteint un état d’instabilité constante, la prise de conscience de l’impact du réchauffement planétaire sur les droits de l’homme et l’augmentation des conflits sociaux, ne fait que s’accentuer. Une moindre attention a été accordée aux façons dont la violence politique et l’abus de droits humains, dans le passé comme dans le présent,(...)
Dans les frontières du changement climatique (Vers une politique des droits non humains)
Actions:
Description:
Alors que le climat de la Terre atteint un état d’instabilité constante, la prise de conscience de l’impact du réchauffement planétaire sur les droits de l’homme et l’augmentation des conflits sociaux, ne fait que s’accentuer. Une moindre attention a été accordée aux façons dont la violence politique et l’abus de droits humains, dans le passé comme dans le présent,(...)
Classification:
événements
événements
Date:
1 décembre 2016
18h
1 décembre 2016
18h
Localisation:
Théâtre Paul-Demarais
Théâtre Paul-Demarais
Classification:
dessins
dessins
Numéro de référence:
ARCH286670
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates an installation involving a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
ARCH286670
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates an installation involving a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
Personnes et institutions:
Date:
circa 1999-2000
circa 1999-2000
Titre:
Drawing for an installation for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286670
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates an installation involving a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
Drawing for an installation for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286670
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates an installation involving a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
Classification:
dessins
dessins
Date:
circa 1999-2000
circa 1999-2000
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
Personnes et institutions:
Date:
circa 1999-2000
circa 1999-2000
Titre:
Drawings for two installations for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
Drawings for two installations for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
Classification:
dessins
dessins
Date:
circa 1999-2000
circa 1999-2000
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH286669
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
ARCH286669
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
Personnes et institutions:
Date:
circa 1999-2000
circa 1999-2000
Titre:
Drawing for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286669
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
Drawing for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286669
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
Classification:
dessins
dessins
Date:
circa 1999-2000
circa 1999-2000
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Arturo Ortiz Struck décrit les frontières de la construction légale et autorisée dans le contexte de Mexico :« Afin de nous forger une opinion critique sur la production d’espace et d’architecture dans cet environnement, nous devrions commencer par deux principes fondamentaux. Le premier établit que les espaces reflètent qui nous sommes, et ils traduisent nos habitudes(...)
Arturo Ortiz Struck décrit les frontières de la construction légale et autorisée dans le contexte de Mexico :« Afin de nous forger une opinion critique sur la production d’espace et d’architecture dans cet environnement, nous devrions commencer par deux principes fondamentaux. Le premier établit que les espaces reflètent qui nous sommes, et ils traduisent nos habitudes(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
10 mai 2012 , 19h
10 mai 2012 , 19h
Titre:
L'enseignement de... Mexico : Arturo Ortiz Struck
Actions:
Description:
Arturo Ortiz Struck décrit les frontières de la construction légale et autorisée dans le contexte de Mexico :« Afin de nous forger une opinion critique sur la production d’espace et d’architecture dans cet environnement, nous devrions commencer par deux principes fondamentaux. Le premier établit que les espaces reflètent qui nous sommes, et ils traduisent nos habitudes(...)
L'enseignement de... Mexico : Arturo Ortiz Struck
Actions:
Description:
Arturo Ortiz Struck décrit les frontières de la construction légale et autorisée dans le contexte de Mexico :« Afin de nous forger une opinion critique sur la production d’espace et d’architecture dans cet environnement, nous devrions commencer par deux principes fondamentaux. Le premier établit que les espaces reflètent qui nous sommes, et ils traduisent nos habitudes(...)
Classification:
événements
événements
Date:
10 mai 2012
19h
10 mai 2012
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
