7564 Résultats
Classification:
expositions
expositions
Actions:
Description:
Mur absent : Évocation du Garbage Wall (1970) de Gordon Matta-Clark, une installation dans Parc Baile, est une structure symbolique qui évoque l’intérêt porté par Matta-Clark au recyclage, aux espaces abandonnés et à une vision différente de la conception architecturale. À l’occasion du premier Jour de la Terre, Gordon Matta-Clark (1943-78) organise un événement à(...)
Mur absent : Évocation du Garbage Wall (1970) de Gordon Matta-Clark, une installation dans Parc Baile, est une structure symbolique qui évoque l’intérêt porté par Matta-Clark au recyclage, aux espaces abandonnés et à une vision différente de la conception architecturale. À l’occasion du premier Jour de la Terre, Gordon Matta-Clark (1943-78) organise un événement à(...)
Localisation:
Parc Baile
Parc Baile
Date:
6 mai 2004 au 6 septembre 2004
6 mai 2004 au 6 septembre 2004
Titre:
Mur absent : évocation du Garbage Wall (1970) de Gordon Matta-Clark
Actions:
Description:
Mur absent : Évocation du Garbage Wall (1970) de Gordon Matta-Clark, une installation dans Parc Baile, est une structure symbolique qui évoque l’intérêt porté par Matta-Clark au recyclage, aux espaces abandonnés et à une vision différente de la conception architecturale. À l’occasion du premier Jour de la Terre, Gordon Matta-Clark (1943-78) organise un événement à(...)
Mur absent : évocation du Garbage Wall (1970) de Gordon Matta-Clark
Actions:
Description:
Mur absent : Évocation du Garbage Wall (1970) de Gordon Matta-Clark, une installation dans Parc Baile, est une structure symbolique qui évoque l’intérêt porté par Matta-Clark au recyclage, aux espaces abandonnés et à une vision différente de la conception architecturale. À l’occasion du premier Jour de la Terre, Gordon Matta-Clark (1943-78) organise un événement à(...)
Classification:
expositions
expositions
Date:
6 mai 2004 au
6 septembre 2004
6 mai 2004 au
6 septembre 2004
Localisation:
Parc Baile
Parc Baile
Classification:
articles
articles
Dossier:
C’était le futur
C’était le futur
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
Personnes et institutions:
Date:
circa 1970-2015
circa 1970-2015
Titre:
Paper/Midwestern Ocean (1970)
Actions:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
Paper/Midwestern Ocean (1970)
Actions:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1970-2015
circa 1970-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
Personnes et institutions:
Date:
1969-1970
1969-1970
Titre:
Urban park competition, Modena, Italy (1970)
Actions:
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
Urban park competition, Modena, Italy (1970)
Actions:
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
Niveau de description archivistique:
Project
Project
Date:
1969-1970
1969-1970
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1970.PR03
Description:
Project series documents Cornelia Hahn Oberlander's conception of a play area for Laura Secord School in Vancouver, British Columbia in 1970, and contains correspondence on the project.
AP075.S1.1970.PR03
Description:
Project series documents Cornelia Hahn Oberlander's conception of a play area for Laura Secord School in Vancouver, British Columbia in 1970, and contains correspondence on the project.
Personnes et institutions:
Date:
1970
1970
Titre:
Laura Secord School, Vancouver, British Columbia (1970)
Actions:
AP075.S1.1970.PR03
Description:
Project series documents Cornelia Hahn Oberlander's conception of a play area for Laura Secord School in Vancouver, British Columbia in 1970, and contains correspondence on the project.
Laura Secord School, Vancouver, British Columbia (1970)
Actions:
AP075.S1.1970.PR03
Description:
Project series documents Cornelia Hahn Oberlander's conception of a play area for Laura Secord School in Vancouver, British Columbia in 1970, and contains correspondence on the project.
Niveau de description archivistique:
Project
Project
Date:
1970
1970
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Personnes et institutions:
Date:
1969-1971
1969-1971
Titre:
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Niveau de description archivistique:
Project
Project
Date:
1969-1971
1969-1971
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1970.PR07
Description:
This project series documents the existing Art Gallery of Ontario (AGO) buildings in Toronto around 1970. The office identified the project number as 70056. This project consisted of creating drawings of the two existing AGO buildings, before the start of construction on the AGO expansion. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. The work for AGO projects was divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through reprographic copies of area D drawings dating from around 1970.
AP018.S1.1970.PR07
Description:
This project series documents the existing Art Gallery of Ontario (AGO) buildings in Toronto around 1970. The office identified the project number as 70056. This project consisted of creating drawings of the two existing AGO buildings, before the start of construction on the AGO expansion. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. The work for AGO projects was divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through reprographic copies of area D drawings dating from around 1970.
Personnes et institutions:
Date:
circa 1970
circa 1970
Titre:
Art Gallery of Ontario, Existing Building, Toronto (1970)
Actions:
AP018.S1.1970.PR07
Description:
This project series documents the existing Art Gallery of Ontario (AGO) buildings in Toronto around 1970. The office identified the project number as 70056. This project consisted of creating drawings of the two existing AGO buildings, before the start of construction on the AGO expansion. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. The work for AGO projects was divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through reprographic copies of area D drawings dating from around 1970.
Art Gallery of Ontario, Existing Building, Toronto (1970)
Actions:
AP018.S1.1970.PR07
Description:
This project series documents the existing Art Gallery of Ontario (AGO) buildings in Toronto around 1970. The office identified the project number as 70056. This project consisted of creating drawings of the two existing AGO buildings, before the start of construction on the AGO expansion. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. The work for AGO projects was divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through reprographic copies of area D drawings dating from around 1970.
Niveau de description archivistique:
Project
Project
Date:
circa 1970
circa 1970
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.1970.PR01
Description:
This project series documents the Appartamento Grossetti, a built two-storey apartment in Milan, Italy. The project series contains studies and design development drawings, including floor plans, sections, elevations, and furnishings details. Riva worked on this project from 1970-1974.
AP180.S1.1970.PR01
Description:
This project series documents the Appartamento Grossetti, a built two-storey apartment in Milan, Italy. The project series contains studies and design development drawings, including floor plans, sections, elevations, and furnishings details. Riva worked on this project from 1970-1974.
Personnes et institutions:
Date:
1969
1969
Titre:
Appartamento Grossetti [Grossetti Apartment], Milan, Italy (1970-1974)
Actions:
AP180.S1.1970.PR01
Description:
This project series documents the Appartamento Grossetti, a built two-storey apartment in Milan, Italy. The project series contains studies and design development drawings, including floor plans, sections, elevations, and furnishings details. Riva worked on this project from 1970-1974.
Appartamento Grossetti [Grossetti Apartment], Milan, Italy (1970-1974)
Actions:
AP180.S1.1970.PR01
Description:
This project series documents the Appartamento Grossetti, a built two-storey apartment in Milan, Italy. The project series contains studies and design development drawings, including floor plans, sections, elevations, and furnishings details. Riva worked on this project from 1970-1974.
Niveau de description archivistique:
Project
Project
Date:
1969
1969
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1970.PR04
Description:
Project series documents Cornelia Hahn Oberlander's project for a play area project for Queen Mary School in Vancouver, British Columbia in 1968. The project series contains correspondence and design development drawings.
AP075.S1.1970.PR04
Description:
Project series documents Cornelia Hahn Oberlander's project for a play area project for Queen Mary School in Vancouver, British Columbia in 1968. The project series contains correspondence and design development drawings.
Personnes et institutions:
Date:
1968-1970
1968-1970
Titre:
Queen Mary School, Vancouver, British Columbia (1970)
Actions:
AP075.S1.1970.PR04
Description:
Project series documents Cornelia Hahn Oberlander's project for a play area project for Queen Mary School in Vancouver, British Columbia in 1968. The project series contains correspondence and design development drawings.
Queen Mary School, Vancouver, British Columbia (1970)
Actions:
AP075.S1.1970.PR04
Description:
Project series documents Cornelia Hahn Oberlander's project for a play area project for Queen Mary School in Vancouver, British Columbia in 1968. The project series contains correspondence and design development drawings.
Niveau de description archivistique:
Project
Project
Date:
1968-1970
1968-1970
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
IAUS: 1970
IAUS: 1970
Numéro de référence:
ARCH153516
Description:
Correspondence with Telescope folding furniture co. about outstanding bill, ca. October 1970
ARCH153516
Description:
Correspondence with Telescope folding furniture co. about outstanding bill, ca. October 1970
Personnes et institutions:
Date:
1970
1970
Titre:
IAUS: 1970
Actions:
ARCH153516
Description:
Correspondence with Telescope folding furniture co. about outstanding bill, ca. October 1970
IAUS: 1970
Actions:
ARCH153516
Description:
Correspondence with Telescope folding furniture co. about outstanding bill, ca. October 1970
Classification:
documents textuels
documents textuels
Date:
1970
1970
Personnes et institutions:
