352 Résultats
Classification:
événements
événements
Actions:
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
Christine Mehring, Abstraction et design, Liam Gillick, Chercheur en Résidence, minimalisme
Maison Shaughnessy Mot(s)-clé(s):
Christine Mehring, Abstraction et design, Liam Gillick, Chercheur en Résidence, minimalisme
Date:
7 août 2008 au 12 novembre 2018, 18h
7 août 2008 au 12 novembre 2018, 18h
Classification:
événements
événements
Date:
7 août 2008 au
12 novembre 2018
18h
7 août 2008 au
12 novembre 2018
18h
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
Christine Mehring, Abstraction et design, Liam Gillick, Chercheur en Résidence, minimalisme
Maison Shaughnessy Mot(s)-clé(s):
Christine Mehring, Abstraction et design, Liam Gillick, Chercheur en Résidence, minimalisme
Classification:
photographies
photographies
Numéro de référence:
ARCH273341
ARCH273341
Personnes et institutions:
Date:
1970s
1970s
Classification:
photographies
photographies
Date:
1970s
1970s
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP149.S2.SS3.081
AP149.S2.SS3.081
Personnes et institutions:
Date:
1970s
1970s
Classification:
photographies
photographies
Date:
1970s
1970s
Personnes et institutions:
Classification:
articles
articles
Dossier:
C’était le futur
C’était le futur
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Office records
Office records
Numéro de référence:
CI005.S2
Description:
Series includes a minimal amount of correspondence, and posters announcing the 1951 J.JP. Oud exhibition in the Netherlands as well as the 1966 Oud exhibition in West Germany.
CI005.S2
Description:
Series includes a minimal amount of correspondence, and posters announcing the 1951 J.JP. Oud exhibition in the Netherlands as well as the 1966 Oud exhibition in West Germany.
Personnes et institutions:
Date:
1922-1966
1922-1966
Titre:
Office records
CI005.S2
Description:
Series includes a minimal amount of correspondence, and posters announcing the 1951 J.JP. Oud exhibition in the Netherlands as well as the 1966 Oud exhibition in West Germany.
Office records
CI005.S2
Description:
Series includes a minimal amount of correspondence, and posters announcing the 1951 J.JP. Oud exhibition in the Netherlands as well as the 1966 Oud exhibition in West Germany.
Niveau de description archivistique:
series
series
Date:
1922-1966
1922-1966
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2002.D13
Description:
The project series documents the entry for the competition held by the Cabinet of Extremadura, Ministry of Education, Science and Technology for the center for minimal invasive surgery, in Cáceres, Spain. The firm identified the project as number 158. Documenting the project conceptual and presentation drawings, reference and photographic materials, project descriptions, correspondence and a model.
AP164.S1.2002.D13
Description:
The project series documents the entry for the competition held by the Cabinet of Extremadura, Ministry of Education, Science and Technology for the center for minimal invasive surgery, in Cáceres, Spain. The firm identified the project as number 158. Documenting the project conceptual and presentation drawings, reference and photographic materials, project descriptions, correspondence and a model.
Personnes et institutions:
Date:
circa 2002
circa 2002
Titre:
Centro de cirugía de mínima invasión, Cáceres, Spain (2002)
Actions:
AP164.S1.2002.D13
Description:
The project series documents the entry for the competition held by the Cabinet of Extremadura, Ministry of Education, Science and Technology for the center for minimal invasive surgery, in Cáceres, Spain. The firm identified the project as number 158. Documenting the project conceptual and presentation drawings, reference and photographic materials, project descriptions, correspondence and a model.
Centro de cirugía de mínima invasión, Cáceres, Spain (2002)
Actions:
AP164.S1.2002.D13
Description:
The project series documents the entry for the competition held by the Cabinet of Extremadura, Ministry of Education, Science and Technology for the center for minimal invasive surgery, in Cáceres, Spain. The firm identified the project as number 158. Documenting the project conceptual and presentation drawings, reference and photographic materials, project descriptions, correspondence and a model.
Niveau de description archivistique:
Project
Project
Date:
circa 2002
circa 2002
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Writings and documentation
Writings and documentation
Numéro de référence:
AP166.S2
Description:
Series 2, Writings and documentation (1976-2014, predominant 2000-2014) is composed of publications by and about Shoei Yoh and the firm Shoei Yoh + Architects. The documents in this series include descriptions of the firm’s projects as well as theoretical texts about the architecture of Shoei Yoh. The series also includes minimal correspondence. Some of the documents in this series served as research material during preparation of the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013).
AP166.S2
Description:
Series 2, Writings and documentation (1976-2014, predominant 2000-2014) is composed of publications by and about Shoei Yoh and the firm Shoei Yoh + Architects. The documents in this series include descriptions of the firm’s projects as well as theoretical texts about the architecture of Shoei Yoh. The series also includes minimal correspondence. Some of the documents in this series served as research material during preparation of the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013).
Personnes et institutions:
Date:
1976-2014, predominant 2000-2014
1976-2014, predominant 2000-2014
Titre:
Writings and documentation
Actions:
AP166.S2
Description:
Series 2, Writings and documentation (1976-2014, predominant 2000-2014) is composed of publications by and about Shoei Yoh and the firm Shoei Yoh + Architects. The documents in this series include descriptions of the firm’s projects as well as theoretical texts about the architecture of Shoei Yoh. The series also includes minimal correspondence. Some of the documents in this series served as research material during preparation of the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013).
Writings and documentation
Actions:
AP166.S2
Description:
Series 2, Writings and documentation (1976-2014, predominant 2000-2014) is composed of publications by and about Shoei Yoh and the firm Shoei Yoh + Architects. The documents in this series include descriptions of the firm’s projects as well as theoretical texts about the architecture of Shoei Yoh. The series also includes minimal correspondence. Some of the documents in this series served as research material during preparation of the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013).
Niveau de description archivistique:
series
series
Date:
1976-2014, predominant 2000-2014
1976-2014, predominant 2000-2014
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1958.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for her own residence on Olympic street, in Vancouver. Known as the Tick-Tack-Toe House, the Oberlanders designed the residence themselves in 1958-1959, as well as later additions in 1966-1967. The residence is a two-storey house, with the main living area all on the second floor, while the entrance and a part of the utility core is on the ground level. For minimal maintenance and to provide a dry space to play during rainy days, the landscaping included a paved perimeter around the central core. The landscape design included a wall on the west side of the site and tree planting along Olympic Street to block the view and the noise from the street. The project series is made up predominantly of plans of the residence, such as elevations, sections, details and floor plans, and working drawings for the landscaping, including landscape plans, and elevations and details for the garden wall. The project is also documented through photographs of the garden, and exterior and interior views of the house itself. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1958.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for her own residence on Olympic street, in Vancouver. Known as the Tick-Tack-Toe House, the Oberlanders designed the residence themselves in 1958-1959, as well as later additions in 1966-1967. The residence is a two-storey house, with the main living area all on the second floor, while the entrance and a part of the utility core is on the ground level. For minimal maintenance and to provide a dry space to play during rainy days, the landscaping included a paved perimeter around the central core. The landscape design included a wall on the west side of the site and tree planting along Olympic Street to block the view and the noise from the street. The project series is made up predominantly of plans of the residence, such as elevations, sections, details and floor plans, and working drawings for the landscaping, including landscape plans, and elevations and details for the garden wall. The project is also documented through photographs of the garden, and exterior and interior views of the house itself. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Personnes et institutions:
Date:
1958 and 1966-1967
1958 and 1966-1967
Titre:
Oberlander Residence (construction and addition), Vancouver, British Columbia (1958 -1967)
Actions:
AP075.S1.1958.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for her own residence on Olympic street, in Vancouver. Known as the Tick-Tack-Toe House, the Oberlanders designed the residence themselves in 1958-1959, as well as later additions in 1966-1967. The residence is a two-storey house, with the main living area all on the second floor, while the entrance and a part of the utility core is on the ground level. For minimal maintenance and to provide a dry space to play during rainy days, the landscaping included a paved perimeter around the central core. The landscape design included a wall on the west side of the site and tree planting along Olympic Street to block the view and the noise from the street. The project series is made up predominantly of plans of the residence, such as elevations, sections, details and floor plans, and working drawings for the landscaping, including landscape plans, and elevations and details for the garden wall. The project is also documented through photographs of the garden, and exterior and interior views of the house itself. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Oberlander Residence (construction and addition), Vancouver, British Columbia (1958 -1967)
Actions:
AP075.S1.1958.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for her own residence on Olympic street, in Vancouver. Known as the Tick-Tack-Toe House, the Oberlanders designed the residence themselves in 1958-1959, as well as later additions in 1966-1967. The residence is a two-storey house, with the main living area all on the second floor, while the entrance and a part of the utility core is on the ground level. For minimal maintenance and to provide a dry space to play during rainy days, the landscaping included a paved perimeter around the central core. The landscape design included a wall on the west side of the site and tree planting along Olympic Street to block the view and the noise from the street. The project series is made up predominantly of plans of the residence, such as elevations, sections, details and floor plans, and working drawings for the landscaping, including landscape plans, and elevations and details for the garden wall. The project is also documented through photographs of the garden, and exterior and interior views of the house itself. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Niveau de description archivistique:
Project
Project
Date:
1958 and 1966-1967
1958 and 1966-1967
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Personnes et institutions:
Date:
1999
1999
Titre:
Personal and professional correspondence from 1999
Actions:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Personal and professional correspondence from 1999
Actions:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Classification:
documents textuels
documents textuels
Date:
1999
1999
Personnes et institutions:
Classification:
expositions
expositions
Titre:
La preuve par l’architecture
La preuve par l’architecture
Actions:
Description:
La preuve par l’architecture présente une collection de pièces rassemblées dans le cadre d’une analyse technico-légale de l’architecture d’Auschwitz. L’exposition réunit des moulages en plâtre de bleus, de lettres, de factures d’entrepreneurs et de photographies, ainsi que deux reconstitutions de monuments (une colonne de gaz et une trappe étanche au gaz), qui, considérés(...)
La preuve par l’architecture présente une collection de pièces rassemblées dans le cadre d’une analyse technico-légale de l’architecture d’Auschwitz. L’exposition réunit des moulages en plâtre de bleus, de lettres, de factures d’entrepreneurs et de photographies, ainsi que deux reconstitutions de monuments (une colonne de gaz et une trappe étanche au gaz), qui, considérés(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
16 juin 2016 au 11 septembre 2016
16 juin 2016 au 11 septembre 2016
Titre:
La preuve par l’architecture
Actions:
Description:
La preuve par l’architecture présente une collection de pièces rassemblées dans le cadre d’une analyse technico-légale de l’architecture d’Auschwitz. L’exposition réunit des moulages en plâtre de bleus, de lettres, de factures d’entrepreneurs et de photographies, ainsi que deux reconstitutions de monuments (une colonne de gaz et une trappe étanche au gaz), qui, considérés(...)
La preuve par l’architecture
Actions:
Description:
La preuve par l’architecture présente une collection de pièces rassemblées dans le cadre d’une analyse technico-légale de l’architecture d’Auschwitz. L’exposition réunit des moulages en plâtre de bleus, de lettres, de factures d’entrepreneurs et de photographies, ainsi que deux reconstitutions de monuments (une colonne de gaz et une trappe étanche au gaz), qui, considérés(...)
Classification:
expositions
expositions
Date:
16 juin 2016 au
11 septembre 2016
16 juin 2016 au
11 septembre 2016
Localisation:
Salle octogonale
Salle octogonale
