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155 pages mounted illustrations (some color) 29 x 32 cm
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155 pages mounted illustrations (some color) 29 x 32 cm
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Ravensburg, O. Maier [1961]
Ravensburg, O. Maier [1961]
Titre:
Kunst der Farbe; subjektives Erleben und objektives Erkennen als Wege zur Kunst.
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155 pages mounted illustrations (some color) 29 x 32 cm
Kunst der Farbe; subjektives Erleben und objektives Erkennen als Wege zur Kunst.
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Description:
155 pages mounted illustrations (some color) 29 x 32 cm
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livres
livres
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Ravensburg, O. Maier [1961]
Ravensburg, O. Maier [1961]
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$24.50
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In Evocative Objects, Turkle collects writings by scientists, humanists, artists, and designers that trace the power of everyday things. These essays reveal objects as emotional and intellectual companions that anchor memory, sustain relationships, and provoke new ideas. These days, scholars show new interest in the importance of the concrete. This volume's special(...)
$24.50
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In Evocative Objects, Turkle collects writings by scientists, humanists, artists, and designers that trace the power of everyday things. These essays reveal objects as emotional and intellectual companions that anchor memory, sustain relationships, and provoke new ideas. These days, scholars show new interest in the importance of the concrete. This volume's special(...)
Titre:
Evocative objects : things we think with
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$24.50
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In Evocative Objects, Turkle collects writings by scientists, humanists, artists, and designers that trace the power of everyday things. These essays reveal objects as emotional and intellectual companions that anchor memory, sustain relationships, and provoke new ideas. These days, scholars show new interest in the importance of the concrete. This volume's special contribution is its focus on everyday riches: the simplest of objects - an apple, a datebook, a laptop computer - are shown to bring philosophy down to earth. The poet contends, "No ideas but in things." The notion of evocative objects goes further: objects carry both ideas and passions. In our relations to things, thought and feeling are inseparable. Whether it's a student's beloved 1964 Ford Falcon (left behind for a station wagon and motherhood), or a cello that inspires a meditation on fatherhood, the intimate objects in this collection are used to reflect on larger themes - the role of objects in design and play, discipline and desire, history and exchange, mourning and memory, transition and passage, meditation and new vision.
Evocative objects : things we think with
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$24.50
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In Evocative Objects, Turkle collects writings by scientists, humanists, artists, and designers that trace the power of everyday things. These essays reveal objects as emotional and intellectual companions that anchor memory, sustain relationships, and provoke new ideas. These days, scholars show new interest in the importance of the concrete. This volume's special contribution is its focus on everyday riches: the simplest of objects - an apple, a datebook, a laptop computer - are shown to bring philosophy down to earth. The poet contends, "No ideas but in things." The notion of evocative objects goes further: objects carry both ideas and passions. In our relations to things, thought and feeling are inseparable. Whether it's a student's beloved 1964 Ford Falcon (left behind for a station wagon and motherhood), or a cello that inspires a meditation on fatherhood, the intimate objects in this collection are used to reflect on larger themes - the role of objects in design and play, discipline and desire, history and exchange, mourning and memory, transition and passage, meditation and new vision.
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livres
livres
Publication:
juillet 2011
juillet 2011
Sujet:
Théorie du design
Théorie du design
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livres
livres
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History's shadow
History's shadow
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$85.00
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Maisel’s work has always been concerned with processes of memory, excavation, and transformation. These themes are given new form in his latest work, History’s Shadow. In this series, Maisel re-photographs x-rays from museum archives that depict artifacts from antiquity, scanning and digitally manipulating the selected source material. X-rays have historically been used(...)
$85.00
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Maisel’s work has always been concerned with processes of memory, excavation, and transformation. These themes are given new form in his latest work, History’s Shadow. In this series, Maisel re-photographs x-rays from museum archives that depict artifacts from antiquity, scanning and digitally manipulating the selected source material. X-rays have historically been used(...)
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History's shadow
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$85.00
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Maisel’s work has always been concerned with processes of memory, excavation, and transformation. These themes are given new form in his latest work, History’s Shadow. In this series, Maisel re-photographs x-rays from museum archives that depict artifacts from antiquity, scanning and digitally manipulating the selected source material. X-rays have historically been used by art conservators for structural examination of art and artifacts much as physicians examine bones and internal organs; they reveal losses, replacements, construction methods, and internal trauma invisible to the naked eye. By transcribing both the inner and outer surfaces of their subjects simultaneously, they form spectral images of indeterminate space, depth, and scale. The resulting photographs seem like transmissions from the distant past, both spanning and collapsing time. They express – through feeling and art, as well as science and reason – the shape-shifting nature of time itself, and the continuous presence of the past contained within us. The book contains an original short story by Jonathan Lethem that was inspired by Maisel’s images.
History's shadow
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$85.00
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Maisel’s work has always been concerned with processes of memory, excavation, and transformation. These themes are given new form in his latest work, History’s Shadow. In this series, Maisel re-photographs x-rays from museum archives that depict artifacts from antiquity, scanning and digitally manipulating the selected source material. X-rays have historically been used by art conservators for structural examination of art and artifacts much as physicians examine bones and internal organs; they reveal losses, replacements, construction methods, and internal trauma invisible to the naked eye. By transcribing both the inner and outer surfaces of their subjects simultaneously, they form spectral images of indeterminate space, depth, and scale. The resulting photographs seem like transmissions from the distant past, both spanning and collapsing time. They express – through feeling and art, as well as science and reason – the shape-shifting nature of time itself, and the continuous presence of the past contained within us. The book contains an original short story by Jonathan Lethem that was inspired by Maisel’s images.
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livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Bit Rot: stories and essays
Bit Rot: stories and essays
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$34.00
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A thought-provoking, binge-worthy new collection of essays, stories, and musings from Douglas Coupland, Bit Rot explores the different ways in which twentieth-century notions of the future are being shredded, and it is a literary gem of the digital age. “Bit rot” is a term used in digital archiving to describe the way digital files can spontaneously and quickly decompose.(...)
$34.00
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A thought-provoking, binge-worthy new collection of essays, stories, and musings from Douglas Coupland, Bit Rot explores the different ways in which twentieth-century notions of the future are being shredded, and it is a literary gem of the digital age. “Bit rot” is a term used in digital archiving to describe the way digital files can spontaneously and quickly decompose.(...)
Titre:
Bit Rot: stories and essays
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$34.00
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A thought-provoking, binge-worthy new collection of essays, stories, and musings from Douglas Coupland, Bit Rot explores the different ways in which twentieth-century notions of the future are being shredded, and it is a literary gem of the digital age. “Bit rot” is a term used in digital archiving to describe the way digital files can spontaneously and quickly decompose. As Douglas Coupland writes, “Bit rot also describes the way my brain has been feeling since 2000, as I shed older and weaker neurons and connections and enhance new and unexpected ones.” "Bit Rot" the book is a fascinating meditation on the ways in which humanity tries to make sense of our shifting consciousness. Coupland, just like the Internet, mixes forms to achieve his ends. Short fiction is interspersed with essays on all aspects of modern life. The result is addictively satisfying for Coupland’s established fanbase hungry for his observations about our world, and a revelation to new readers of his work. For almost three decades, his unique pattern recognition has powered his fiction, his phrase-making, and his visual art.
Bit Rot: stories and essays
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$34.00
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Résumé:
A thought-provoking, binge-worthy new collection of essays, stories, and musings from Douglas Coupland, Bit Rot explores the different ways in which twentieth-century notions of the future are being shredded, and it is a literary gem of the digital age. “Bit rot” is a term used in digital archiving to describe the way digital files can spontaneously and quickly decompose. As Douglas Coupland writes, “Bit rot also describes the way my brain has been feeling since 2000, as I shed older and weaker neurons and connections and enhance new and unexpected ones.” "Bit Rot" the book is a fascinating meditation on the ways in which humanity tries to make sense of our shifting consciousness. Coupland, just like the Internet, mixes forms to achieve his ends. Short fiction is interspersed with essays on all aspects of modern life. The result is addictively satisfying for Coupland’s established fanbase hungry for his observations about our world, and a revelation to new readers of his work. For almost three decades, his unique pattern recognition has powered his fiction, his phrase-making, and his visual art.
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livres
livres
Publication:
mars 2017
mars 2017
Sujet:
Architecture et l'imaginaire
Architecture et l'imaginaire
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livres
livres
Titre:
Katherine Bernardt
Katherine Bernardt
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$52.50
(disponible en magasin)
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This is the first book to provide a comprehensive overview of Katherine Bernhardt’s wildly popular pattern paintings. Spanning 2013 through 2016, it collects over 100 of her brightly colored canvases. Well known for paintings of super models ripped from glossy fashion magazines and, more recently, Morrocan rug motifs, in 2013 Bernhardt dropped all direct quotation and now(...)
$52.50
(disponible en magasin)
Résumé:
This is the first book to provide a comprehensive overview of Katherine Bernhardt’s wildly popular pattern paintings. Spanning 2013 through 2016, it collects over 100 of her brightly colored canvases. Well known for paintings of super models ripped from glossy fashion magazines and, more recently, Morrocan rug motifs, in 2013 Bernhardt dropped all direct quotation and now(...)
Titre:
Katherine Bernardt
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$52.50
(disponible en magasin)
Résumé:
This is the first book to provide a comprehensive overview of Katherine Bernhardt’s wildly popular pattern paintings. Spanning 2013 through 2016, it collects over 100 of her brightly colored canvases. Well known for paintings of super models ripped from glossy fashion magazines and, more recently, Morrocan rug motifs, in 2013 Bernhardt dropped all direct quotation and now paints straight from her imagination, mining her own fertile reservoir of experience, imagery and sensation. Since then, Bernhardt has produced paintings that mix an assortment of objects reflecting her daily experiences, from life in New York to her love of Puerto Rico, her Saint Louis roots and family life. The objects are painted with incredible verve and tenacity, and include a jumble of the following items on colorfully activated grounds: watermelon slices, boom boxes, computers, pizza slices, cassette tapes, hamburgers, basketballs, old cell phones, airplanes, fruit, sharks, water, sea turtles, cigarettes, sharpies and keyboards. Bernhardt presents a slightly delirious feeling of New York City, the out-of-date and the up-to-the-minute all in one.
Katherine Bernardt
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$52.50
(disponible en magasin)
Résumé:
This is the first book to provide a comprehensive overview of Katherine Bernhardt’s wildly popular pattern paintings. Spanning 2013 through 2016, it collects over 100 of her brightly colored canvases. Well known for paintings of super models ripped from glossy fashion magazines and, more recently, Morrocan rug motifs, in 2013 Bernhardt dropped all direct quotation and now paints straight from her imagination, mining her own fertile reservoir of experience, imagery and sensation. Since then, Bernhardt has produced paintings that mix an assortment of objects reflecting her daily experiences, from life in New York to her love of Puerto Rico, her Saint Louis roots and family life. The objects are painted with incredible verve and tenacity, and include a jumble of the following items on colorfully activated grounds: watermelon slices, boom boxes, computers, pizza slices, cassette tapes, hamburgers, basketballs, old cell phones, airplanes, fruit, sharks, water, sea turtles, cigarettes, sharpies and keyboards. Bernhardt presents a slightly delirious feeling of New York City, the out-of-date and the up-to-the-minute all in one.
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livres
livres
Publication:
mai 2017
mai 2017
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livres
livres
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$26.95
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This new edition of Mike Davis’s work gives an update on Los Angeles as the city hits the 21st century. No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this wide-ranging work of social history, Los(...)
$26.95
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This new edition of Mike Davis’s work gives an update on Los Angeles as the city hits the 21st century. No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this wide-ranging work of social history, Los(...)
Titre:
City of quartz : excavating the future in Los Angeles, new edition
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$26.95
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This new edition of Mike Davis’s work gives an update on Los Angeles as the city hits the 21st century. No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this wide-ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being plowed under to make room for model communities in the desert, where the rich have hired their own police to fend off street gangs, as well as armed Beirut militias. In "City of quartz", Davis reconstructs LA’s shadow history and dissects its ethereal economy. He tells us who has the power and how they hold on to it. He gives us a city of Dickensian extremes, Pynchonesque conspiracies, and a desperation straight out of Nathaniel West—a city in which we may glimpse our own future mirrored with terrifying clarity. In this new edition, Davis provides an update on the city’s current status.
City of quartz : excavating the future in Los Angeles, new edition
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$26.95
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Résumé:
This new edition of Mike Davis’s work gives an update on Los Angeles as the city hits the 21st century. No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this wide-ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being plowed under to make room for model communities in the desert, where the rich have hired their own police to fend off street gangs, as well as armed Beirut militias. In "City of quartz", Davis reconstructs LA’s shadow history and dissects its ethereal economy. He tells us who has the power and how they hold on to it. He gives us a city of Dickensian extremes, Pynchonesque conspiracies, and a desperation straight out of Nathaniel West—a city in which we may glimpse our own future mirrored with terrifying clarity. In this new edition, Davis provides an update on the city’s current status.
Classification:
livres
livres
Publication:
septembre 2006, London, New York
septembre 2006, London, New York
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$47.50
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The rising Dutch artist Erik van Lieshout, temporarily based in Los Angeles while he sets up for bicoastal American museum debuts at the Hammer in Los Angeles and at Mass MoCA, in North Adams, Massachusetts, works with video installation, painting and drawing to analyze our daily reality in currently confusing times. In a dizzying game of political correctness versus(...)
$47.50
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The rising Dutch artist Erik van Lieshout, temporarily based in Los Angeles while he sets up for bicoastal American museum debuts at the Hammer in Los Angeles and at Mass MoCA, in North Adams, Massachusetts, works with video installation, painting and drawing to analyze our daily reality in currently confusing times. In a dizzying game of political correctness versus(...)
Titre:
Erik van Lieshout: This can't go on (stay with me)
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$47.50
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The rising Dutch artist Erik van Lieshout, temporarily based in Los Angeles while he sets up for bicoastal American museum debuts at the Hammer in Los Angeles and at Mass MoCA, in North Adams, Massachusetts, works with video installation, painting and drawing to analyze our daily reality in currently confusing times. In a dizzying game of political correctness versus incorrectness, he provides razor-sharp comments on sociocultural truths, always seeming to wind up in unfamiliar, uncomfortable and confrontational situations. As he says: "My challenge is to lose control...Because it's only when you lose control that you have the feeling of freedom." On his way to that freedom, van Lieshout turns whomever he encounters into subject matter for social documentaries--his endless curiosity and his disarming personality encouraging strangers to share their intimate feelings and politics openly with him. In his work, van Lieshout translates this ferocious exploration of the behaviors of people he meets into aggressive, sometimes violent, sexual imagery. Born in 1968 in the Netherlands, van Lieshout's work was recently featured in the 2006 Berlin Bienniale and the 2003 Venice Biennale, among others.
Erik van Lieshout: This can't go on (stay with me)
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$47.50
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The rising Dutch artist Erik van Lieshout, temporarily based in Los Angeles while he sets up for bicoastal American museum debuts at the Hammer in Los Angeles and at Mass MoCA, in North Adams, Massachusetts, works with video installation, painting and drawing to analyze our daily reality in currently confusing times. In a dizzying game of political correctness versus incorrectness, he provides razor-sharp comments on sociocultural truths, always seeming to wind up in unfamiliar, uncomfortable and confrontational situations. As he says: "My challenge is to lose control...Because it's only when you lose control that you have the feeling of freedom." On his way to that freedom, van Lieshout turns whomever he encounters into subject matter for social documentaries--his endless curiosity and his disarming personality encouraging strangers to share their intimate feelings and politics openly with him. In his work, van Lieshout translates this ferocious exploration of the behaviors of people he meets into aggressive, sometimes violent, sexual imagery. Born in 1968 in the Netherlands, van Lieshout's work was recently featured in the 2006 Berlin Bienniale and the 2003 Venice Biennale, among others.
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livres
livres
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
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livres
livres
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$72.00
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Writing about The Museum of Modern Art's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important(...)
$72.00
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Writing about The Museum of Modern Art's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important(...)
Titre:
Friedlander The Museum of Modern Art
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$72.00
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Writing about The Museum of Modern Art's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important American artists of any kind since World War II Friedlander loves the muchness of the world. He loves the haphazard multitude of things that can pop up in every picture--street signs, sunbeams, bits of roofline, a jagged shadow--all colliding and contradicting one another. In his breezy but very acute introduction to the show's catalogue, Peter Galassi, MoMA's chief curator of photography, gets it just right when he says some of Friedlander's pictures give you the impression that 'the physical world had been broken into fragments and reconstituted under pressure at three times its original density.'" Now available for the first time, the paperback edition of this definitive, comprehensive volume is being published to coincide with the traveling retrospective's stop in San Francisco at SFMOMA.
Friedlander The Museum of Modern Art
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$72.00
(disponible sur commande)
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Writing about The Museum of Modern Art's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important American artists of any kind since World War II Friedlander loves the muchness of the world. He loves the haphazard multitude of things that can pop up in every picture--street signs, sunbeams, bits of roofline, a jagged shadow--all colliding and contradicting one another. In his breezy but very acute introduction to the show's catalogue, Peter Galassi, MoMA's chief curator of photography, gets it just right when he says some of Friedlander's pictures give you the impression that 'the physical world had been broken into fragments and reconstituted under pressure at three times its original density.'" Now available for the first time, the paperback edition of this definitive, comprehensive volume is being published to coincide with the traveling retrospective's stop in San Francisco at SFMOMA.
Classification:
livres
livres
Publication:
février 2008, New York
février 2008, New York
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$45.00
(disponible sur commande)
Résumé:
Building Happiness discusses the nature of happiness within our built environment. In association with Building Futures, the book includes ideas and debates informed by architects such as Herman Hertzberger and Aldo van Eyck, with these brought up to date through the work of contemporary architects and commentators. The nature of our environment and how we use it and how(...)
$45.00
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Résumé:
Building Happiness discusses the nature of happiness within our built environment. In association with Building Futures, the book includes ideas and debates informed by architects such as Herman Hertzberger and Aldo van Eyck, with these brought up to date through the work of contemporary architects and commentators. The nature of our environment and how we use it and how(...)
Titre:
Building happiness: architecture to make you smile
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$45.00
(disponible sur commande)
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Building Happiness discusses the nature of happiness within our built environment. In association with Building Futures, the book includes ideas and debates informed by architects such as Herman Hertzberger and Aldo van Eyck, with these brought up to date through the work of contemporary architects and commentators. The nature of our environment and how we use it and how we are conditioned by it is considered in detail, particularly the ways this affects our sense of wellbeing or happiness. Is this a personal feeling or is it how space is used in our community that constructs happiness? Is it green eco-houses, traditional cottages or 1970s modernism that makes you happy? Building Happiness comprises both short commentaries and longer essays concerned with the impact of our built environment. The book also provides a visual representation of the themes addressed through evocative illustrations, sketches and photography. With an introduction by Jane Wernick, and contributions by architectural and social critics such as Jeremy Till, Shami Chakrabarti, and Kirsty Wark, as well as commentaries from Glenda Jackson and prestigious architects and artists such as Richard Rogers and Richard Wentworth, amongst others.
Building happiness: architecture to make you smile
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$45.00
(disponible sur commande)
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Building Happiness discusses the nature of happiness within our built environment. In association with Building Futures, the book includes ideas and debates informed by architects such as Herman Hertzberger and Aldo van Eyck, with these brought up to date through the work of contemporary architects and commentators. The nature of our environment and how we use it and how we are conditioned by it is considered in detail, particularly the ways this affects our sense of wellbeing or happiness. Is this a personal feeling or is it how space is used in our community that constructs happiness? Is it green eco-houses, traditional cottages or 1970s modernism that makes you happy? Building Happiness comprises both short commentaries and longer essays concerned with the impact of our built environment. The book also provides a visual representation of the themes addressed through evocative illustrations, sketches and photography. With an introduction by Jane Wernick, and contributions by architectural and social critics such as Jeremy Till, Shami Chakrabarti, and Kirsty Wark, as well as commentaries from Glenda Jackson and prestigious architects and artists such as Richard Rogers and Richard Wentworth, amongst others.
Classification:
livres
livres
Publication:
décembre 2008, London
décembre 2008, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Description:
[124] pages ; 23 cm
Description:
[124] pages ; 23 cm
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Eindhoven : Onomatopee, 2013.
Eindhoven : Onomatopee, 2013.
Titre:
Chartres : one hour of sound in a gothic cathedral / Toine Horvers.
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Description:
[124] pages ; 23 cm
Chartres : one hour of sound in a gothic cathedral / Toine Horvers.
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Description:
[124] pages ; 23 cm
Classification:
livres
livres
Publication:
Eindhoven : Onomatopee, 2013.
Eindhoven : Onomatopee, 2013.
Auteur:
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