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L’écriture de « One Continuous Line »
Vikramāditya Prakāsh à propos des archives d’Āditya Prakāsh
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12 août 2024
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291 pages : illustrations (some color) ; 29 cm
Ahmedabad, India : Mapin Publishing, 2020.
Onecontinuousline : art, architecture and urbanism of Aditya Prakash / Vikramaditya Prakash.
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291 pages : illustrations (some color) ; 29 cm
livres
Ahmedabad, India : Mapin Publishing, 2020.
livres
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xi, 76 pages, 22 unnumbered pages of plates : illustrations ; 19 x 25 cm
New Delhi : B.N. Prakash, 1983.
Reflections on Chandigarh / Aditya Prakash.
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xi, 76 pages, 22 unnumbered pages of plates : illustrations ; 19 x 25 cm
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New Delhi : B.N. Prakash, 1983.
livres
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248 pages : illustrations (some color), maps (some color) ; 29 cm
[Ahmedabad] : Mapin Pub. ; Ocean Township, NJ : Grantha Corp. ; Easthampton, MA : Distributed in North America by Antique Collectors' Club, 2009.
Le Corbusier : Chandigarh and the modern city : insights into the iconic city sixty years later / edited by Hasan-Uddin Khan ; with Julian Beinart and Charles Correa.
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248 pages : illustrations (some color), maps (some color) ; 29 cm
livres
[Ahmedabad] : Mapin Pub. ; Ocean Township, NJ : Grantha Corp. ; Easthampton, MA : Distributed in North America by Antique Collectors' Club, 2009.
$80.00
(disponible en magasin)
Résumé:
Aditya Prakash (1924-2008) belonged to the first generation of Indian modernists that came into its own in the Nehruvian era. Built around a multi-disciplinary oeuvre that was unique amongst his peers, Prakash's life was dedicated to finding the 'one continuous line' which linked art - as the search for the beautiful, architecture - as the enabler of life, and planning -(...)
Onecontinuousline: art, architecture and urbanism of Aditya Prakash
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Prix:
$80.00
(disponible en magasin)
Résumé:
Aditya Prakash (1924-2008) belonged to the first generation of Indian modernists that came into its own in the Nehruvian era. Built around a multi-disciplinary oeuvre that was unique amongst his peers, Prakash's life was dedicated to finding the 'one continuous line' which linked art - as the search for the beautiful, architecture - as the enabler of life, and planning - as the ethic of protecting the interests of poor. nterspersed with a series of visual essays, this book is conceived as an introduction to Prakash's vast body of work. Besides practicing architecture, he was an academic, a prolific painter, sculptor, furniture designer, stage set-designer, poet and public speaker. This volume documents Prakash's education as an architect in Delhi and London, his early modernist works, his deep artistic impulses, his love of theatre, and his efforts to rally a culture of academic inquiry. The narrative describes his successes and failures, his arguments for and against modernism, postmodernism and globalization, and his passion for sustainable urbanism, the animal and the acoustic. The book concludes with an interpretive essay on Prakash's life and legacy, along with illustrations of a portfolio of select works.
Architecture, monographies