articles
Les territoires contestés de la prière
Shukri Sultan, s’approprier son territoire sacré dans la ville
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Figurer un territoire
Dans le cadre de la première étape du Programme de recherche multidisciplinaire Mellon du CCA, Nick Beech, Timothy Ivison, Simon Sadler et Ben Sweeting parleront de leur travail en cours sur la transformation culturelle et l’architecture dans la Grande-Bretagne de l’après-guerre.
Maison Shaughnessy
10 septembre 2015 , 18h
Architecture britannique et remise en question du consensus culturel de l’après-guerre
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Description:
Dans le cadre de la première étape du Programme de recherche multidisciplinaire Mellon du CCA, Nick Beech, Timothy Ivison, Simon Sadler et Ben Sweeting parleront de leur travail en cours sur la transformation culturelle et l’architecture dans la Grande-Bretagne de l’après-guerre.
Maison Shaughnessy
documents textuels
DR1980:0014:001-025
19th century
documents textuels
19th century
documents textuels
ARCH221058
Description:
papers
National bridge building contest, student competition
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ARCH221058
Description:
papers
documents textuels
photographies
Quantité:
33 slide(s)
ARCH221059
photographies
Quantité:
33 slide(s)
dessins
DR2007:0085:005
Description:
Presentation posters submitted for a contest named "Art and the City", concerning the urban renewal of the Esplanade Frontenac, Sherbrooke, Québec.
2003
Presentation posters submitted for a contest named "Art and the City"
Actions:
DR2007:0085:005
Description:
Presentation posters submitted for a contest named "Art and the City", concerning the urban renewal of the Esplanade Frontenac, Sherbrooke, Québec.
dessins
2003
Projet
AP041.S1.2010.D2
Description:
Project series documents Melvin Charney’s unexecuted submission for a public art design contest for the Glen Site of the McGill University Health Centre. It includes textual records.
2010-2012
McGill University Health Centre, Glen Site, Montréal, Québec
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AP041.S1.2010.D2
Description:
Project series documents Melvin Charney’s unexecuted submission for a public art design contest for the Glen Site of the McGill University Health Centre. It includes textual records.
Project
2010-2012
archives
Niveau de description archivistique:
Fonds
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
2001-2016
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
archives
Niveau de description archivistique:
Fonds
2001-2016
Projet
CI005.S1.1951.PR1
Description:
The Northeast Polder Works for Wieringermeet initiated a contest for the design of a polder tower that would serve as a water tower and act as landmark to the empty polder area. Oud created one design that conformed to the competition guidelines and a second alternative one which he favoured. Project E was created according to the competition rules, while Motto E represented Oud's favoured design. Project E featured a carillon at the midway point of the tower; in Motto E, Oud instead placed the carillon at the top of the tower with the middle section as office space. Ultimately, the board declined all competition entries and assigned H. van Gent to the 1959 tower design (Taverne et al. 2001, 465). Project series includes a perspective drawing for Motto E of the polder tower.
1951
Polder Tower Competition, Emmeloord, Netherlands (1951)
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CI005.S1.1951.PR1
Description:
The Northeast Polder Works for Wieringermeet initiated a contest for the design of a polder tower that would serve as a water tower and act as landmark to the empty polder area. Oud created one design that conformed to the competition guidelines and a second alternative one which he favoured. Project E was created according to the competition rules, while Motto E represented Oud's favoured design. Project E featured a carillon at the midway point of the tower; in Motto E, Oud instead placed the carillon at the top of the tower with the middle section as office space. Ultimately, the board declined all competition entries and assigned H. van Gent to the 1959 tower design (Taverne et al. 2001, 465). Project series includes a perspective drawing for Motto E of the polder tower.
project
1951
articles
Le tracé de Marine Drive, Accra
Łukasz Stanek compare les plans directeurs coloniaux et postcoloniaux
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