215 Résultats
Classification:
articles
articles
Dossier:
La nature recomposée
La nature recomposée
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1985:0358
Description:
- Ce plan général de Bagatelle présente en premier lieu la disposition des bâtiments: le pavillon de Bagatelle, au centre, est séparé du Bâtiment des Pages par la cour d'honneur sur sa droite; sur sa gauche, le pavillon présente une saillie semi-circulaire donnant sur le jardin où sont aménagés parterres et terrasses de forme symétrique. Cette enfilade de bâtiments et terrasses est séparée par un muret grillagé du jardin anglais; celui-ci s'allonge en forme de trapèze, délimité au nord par le Parc de Madrid, à l'est par le chemin de Madrid à Bagatelle, puis ce dernier s'incline pour rejoindre vers l'ouest le chemin de Longchamps à Neuilly.
DR1985:0358
Description:
- Ce plan général de Bagatelle présente en premier lieu la disposition des bâtiments: le pavillon de Bagatelle, au centre, est séparé du Bâtiment des Pages par la cour d'honneur sur sa droite; sur sa gauche, le pavillon présente une saillie semi-circulaire donnant sur le jardin où sont aménagés parterres et terrasses de forme symétrique. Cette enfilade de bâtiments et terrasses est séparée par un muret grillagé du jardin anglais; celui-ci s'allonge en forme de trapèze, délimité au nord par le Parc de Madrid, à l'est par le chemin de Madrid à Bagatelle, puis ce dernier s'incline pour rejoindre vers l'ouest le chemin de Longchamps à Neuilly.
Personnes et institutions:
Sujet:
architecture, architecture de paysage
architecture, architecture de paysage
Date:
ca. 1778
ca. 1778
Titre:
Preliminary plan for the buildings and garden of Bagatelle, Paris
Actions:
DR1985:0358
Description:
- Ce plan général de Bagatelle présente en premier lieu la disposition des bâtiments: le pavillon de Bagatelle, au centre, est séparé du Bâtiment des Pages par la cour d'honneur sur sa droite; sur sa gauche, le pavillon présente une saillie semi-circulaire donnant sur le jardin où sont aménagés parterres et terrasses de forme symétrique. Cette enfilade de bâtiments et terrasses est séparée par un muret grillagé du jardin anglais; celui-ci s'allonge en forme de trapèze, délimité au nord par le Parc de Madrid, à l'est par le chemin de Madrid à Bagatelle, puis ce dernier s'incline pour rejoindre vers l'ouest le chemin de Longchamps à Neuilly.
Preliminary plan for the buildings and garden of Bagatelle, Paris
Actions:
DR1985:0358
Description:
- Ce plan général de Bagatelle présente en premier lieu la disposition des bâtiments: le pavillon de Bagatelle, au centre, est séparé du Bâtiment des Pages par la cour d'honneur sur sa droite; sur sa gauche, le pavillon présente une saillie semi-circulaire donnant sur le jardin où sont aménagés parterres et terrasses de forme symétrique. Cette enfilade de bâtiments et terrasses est séparée par un muret grillagé du jardin anglais; celui-ci s'allonge en forme de trapèze, délimité au nord par le Parc de Madrid, à l'est par le chemin de Madrid à Bagatelle, puis ce dernier s'incline pour rejoindre vers l'ouest le chemin de Longchamps à Neuilly.
Classification:
dessins
dessins
Date:
ca. 1778
ca. 1778
Personnes et institutions:
Sujet:
architecture, architecture de paysage
architecture, architecture de paysage
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH258535
Description:
Un dossier des notes manuscrites à l'encre et à la mine de plomb (en français, anglais ou italien) de divers auteurs relatifs à l'architecture, à la Villa Madama, aux jardins, à l’histoire de l'art et à la mythologie grecque. Cormier a souvent écrit la date de publication, l'édition et le numéro de page.
ARCH258535
Description:
Un dossier des notes manuscrites à l'encre et à la mine de plomb (en français, anglais ou italien) de divers auteurs relatifs à l'architecture, à la Villa Madama, aux jardins, à l’histoire de l'art et à la mythologie grecque. Cormier a souvent écrit la date de publication, l'édition et le numéro de page.
Personnes et institutions:
Date:
circa 1915
circa 1915
Titre:
Notes sur Villa Madama à Rome
Actions:
ARCH258535
Description:
Un dossier des notes manuscrites à l'encre et à la mine de plomb (en français, anglais ou italien) de divers auteurs relatifs à l'architecture, à la Villa Madama, aux jardins, à l’histoire de l'art et à la mythologie grecque. Cormier a souvent écrit la date de publication, l'édition et le numéro de page.
Notes sur Villa Madama à Rome
Actions:
ARCH258535
Description:
Un dossier des notes manuscrites à l'encre et à la mine de plomb (en français, anglais ou italien) de divers auteurs relatifs à l'architecture, à la Villa Madama, aux jardins, à l’histoire de l'art et à la mythologie grecque. Cormier a souvent écrit la date de publication, l'édition et le numéro de page.
Classification:
documents textuels
documents textuels
Date:
circa 1915
circa 1915
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Domestic Commissions
Domestic Commissions
Numéro de référence:
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
Personnes et institutions:
Date:
1802-[1840]
1802-[1840]
Titre:
Domestic Commissions
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
Domestic Commissions
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
Niveau de description archivistique:
File 2
File 2
Date:
1802-[1840]
1802-[1840]
Personnes et institutions:
Classification:
livres
livres
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Exemplaires:
Description:
127 pages : illustrations, maps, plans ; 21 cm
Description:
127 pages : illustrations, maps, plans ; 21 cm
Auteur:
Sujet:
Publication:
Dijon : Editions universitaires de Dijon, 2000.
Dijon : Editions universitaires de Dijon, 2000.
Titre:
Le jardin paysager anglais au dix-huitième siècle / Michel Baridon.
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Description:
127 pages : illustrations, maps, plans ; 21 cm
Le jardin paysager anglais au dix-huitième siècle / Michel Baridon.
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Description:
127 pages : illustrations, maps, plans ; 21 cm
Classification:
livres
livres
Publication:
Dijon : Editions universitaires de Dijon, 2000.
Dijon : Editions universitaires de Dijon, 2000.
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livres
livres
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Description:
31, [3] pages, 6 leaves of plates : illustrations ; 22 cm
Description:
31, [3] pages, 6 leaves of plates : illustrations ; 22 cm
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Sujet:
Publication:
Paris : Éditions d'Art et d'Histoire, 1942.
Paris : Éditions d'Art et d'Histoire, 1942.
Titre:
Nicolas Michot, ou l'Introduction du jardin anglais en France / par Marcel Mayer.
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Description:
31, [3] pages, 6 leaves of plates : illustrations ; 22 cm
Nicolas Michot, ou l'Introduction du jardin anglais en France / par Marcel Mayer.
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Description:
31, [3] pages, 6 leaves of plates : illustrations ; 22 cm
Classification:
livres
livres
Publication:
Paris : Éditions d'Art et d'Histoire, 1942.
Paris : Éditions d'Art et d'Histoire, 1942.
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Sujet:
Classification:
livres
livres
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Description:
268 pages : illustrations, map ; 20 cm.
Description:
268 pages : illustrations, map ; 20 cm.
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Sujet:
Publication:
Saint-Pierre de Salerne : Monfort, ©2005.
Saint-Pierre de Salerne : Monfort, ©2005.
Titre:
L'art de former les jardins modernes, ou, l'art des jardins anglais / Thomas Whately ; traduit de l'anglais par François de Paule Latapie.
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Description:
268 pages : illustrations, map ; 20 cm.
L'art de former les jardins modernes, ou, l'art des jardins anglais / Thomas Whately ; traduit de l'anglais par François de Paule Latapie.
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Description:
268 pages : illustrations, map ; 20 cm.
Classification:
livres
livres
Publication:
Saint-Pierre de Salerne : Monfort, ©2005.
Saint-Pierre de Salerne : Monfort, ©2005.
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livres
livres
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Description:
168 pages : illustrations ; 21 cm
Description:
168 pages : illustrations ; 21 cm
Auteur:
Sujet:
Publication:
Paris : Klincksieck, 1998.
Paris : Klincksieck, 1998.
Titre:
Aperçus sur l'art du jardin paysager / Prince Hermann von Pückler-Muskau ; assortis d'une Petite revue des parcs anglais ; précédés d'un essai biographique sur l'auteur et d'une étude sur l'esthétique du parc à l'anglaise par Eryck de Rubercy.
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Description:
168 pages : illustrations ; 21 cm
Aperçus sur l'art du jardin paysager / Prince Hermann von Pückler-Muskau ; assortis d'une Petite revue des parcs anglais ; précédés d'un essai biographique sur l'auteur et d'une étude sur l'esthétique du parc à l'anglaise par Eryck de Rubercy.
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Description:
168 pages : illustrations ; 21 cm
Classification:
livres
livres
Publication:
Paris : Klincksieck, 1998.
Paris : Klincksieck, 1998.
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livres
livres
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Description:
2 pts. in 1 v. : ill. (some col.), maps ; 30 x 48 cm.
Description:
2 pts. in 1 v. : ill. (some col.), maps ; 30 x 48 cm.
Auteur:
Publication:
À Copenhague : Frideric Brummer, [1798?]
À Copenhague : Frideric Brummer, [1798?]
Titre:
Plans de jardins dans le gout anglais & instructions dans l'art de distribuer & planter de petits terrains / par Jean Louis Mansa, jardinier du roi au Château de Fredericsbourg ; gravé par G. N. Angelo.
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2 pts. in 1 v. : ill. (some col.), maps ; 30 x 48 cm.
Plans de jardins dans le gout anglais & instructions dans l'art de distribuer & planter de petits terrains / par Jean Louis Mansa, jardinier du roi au Château de Fredericsbourg ; gravé par G. N. Angelo.
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Description:
2 pts. in 1 v. : ill. (some col.), maps ; 30 x 48 cm.
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livres
livres
Publication:
À Copenhague : Frideric Brummer, [1798?]
À Copenhague : Frideric Brummer, [1798?]
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livres
livres
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Description:
2 volumes : illustrations ; 24 cm
Description:
2 volumes : illustrations ; 24 cm
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Publication:
Villeneuve-d'Ascq : Publications de l'Université de Lille III, [1977]
Villeneuve-d'Ascq : Publications de l'Université de Lille III, [1977]
Titre:
Jardins et paysages : le style anglais / Jacques Carré [and others] ; sous la direction d'André Parreaux et Michèle Plaisant.
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Description:
2 volumes : illustrations ; 24 cm
Jardins et paysages : le style anglais / Jacques Carré [and others] ; sous la direction d'André Parreaux et Michèle Plaisant.
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Description:
2 volumes : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Villeneuve-d'Ascq : Publications de l'Université de Lille III, [1977]
Villeneuve-d'Ascq : Publications de l'Université de Lille III, [1977]
Auteur:
Sujet:
