99 Résultats
Classification:
articles
articles
Titre:
Des conjonctions temporelles
Des conjonctions temporelles
Actions:
Peter Sealy examine l'utilisation d'images pastorales dans les représentations de projets contemporains
Dossier:
Une histoire de références
Une histoire de références
Publié:
7 avril 2021
7 avril 2021
Titre:
Des conjonctions temporelles
Peter Sealy examine l'utilisation d'images pastorales dans les représentations de projets contemporains
Actions:
Des conjonctions temporelles
Peter Sealy examine l'utilisation d'images pastorales dans les représentations de projets contemporains
Actions:
Dossier:
Une histoire de références
Une histoire de références
Classification:
événements
événements
Titre:
Images parlantes, un circuit
Images parlantes, un circuit
Actions:
Description:
Tout au long d’un parcours d’interventions et d’installations en neuf segments à travers les espaces du CCA, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela et Peter Sealy nous proposent de réfléchir aux relations essentielles et créatives qui unissent photographie et architecture. Au cours des dix huit(...)
Tout au long d’un parcours d’interventions et d’installations en neuf segments à travers les espaces du CCA, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela et Peter Sealy nous proposent de réfléchir aux relations essentielles et créatives qui unissent photographie et architecture. Au cours des dix huit(...)
Mot(s)-clé(s):
Andrew W. Mellon Foundation, photographie, photographies, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela, Peter Sealy
Andrew W. Mellon Foundation, photographie, photographies, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela, Peter Sealy
Date:
14 octobre 2017, 16h
14 octobre 2017, 16h
Titre:
Images parlantes, un circuit
Actions:
Description:
Tout au long d’un parcours d’interventions et d’installations en neuf segments à travers les espaces du CCA, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela et Peter Sealy nous proposent de réfléchir aux relations essentielles et créatives qui unissent photographie et architecture. Au cours des dix huit(...)
Images parlantes, un circuit
Actions:
Description:
Tout au long d’un parcours d’interventions et d’installations en neuf segments à travers les espaces du CCA, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela et Peter Sealy nous proposent de réfléchir aux relations essentielles et créatives qui unissent photographie et architecture. Au cours des dix huit(...)
Classification:
événements
événements
Date:
14 octobre 2017
16h
14 octobre 2017
16h
Classification:
recherche
recherche
Actions:
Description:
Peter Sealy, McGill University SUjet : Nineteenth-Century Photography and the Architectural Unconscious Christopher C. Clarke, University of Calgary Sujet : Influences of Aboriginal and Non-Aboriginal Architects on Aboriginal Communities and Architecture
Peter Sealy, McGill University SUjet : Nineteenth-Century Photography and the Architectural Unconscious Christopher C. Clarke, University of Calgary Sujet : Influences of Aboriginal and Non-Aboriginal Architects on Aboriginal Communities and Architecture
Date:
janvier 2005 au septembre 2005
janvier 2005 au septembre 2005
Titre:
Programme pour les étudiants à la maîtrise 2005
Actions:
Description:
Peter Sealy, McGill University SUjet : Nineteenth-Century Photography and the Architectural Unconscious Christopher C. Clarke, University of Calgary Sujet : Influences of Aboriginal and Non-Aboriginal Architects on Aboriginal Communities and Architecture
Programme pour les étudiants à la maîtrise 2005
Actions:
Description:
Peter Sealy, McGill University SUjet : Nineteenth-Century Photography and the Architectural Unconscious Christopher C. Clarke, University of Calgary Sujet : Influences of Aboriginal and Non-Aboriginal Architects on Aboriginal Communities and Architecture
Classification:
recherche
recherche
Date:
janvier 2005 au
septembre 2005
janvier 2005 au
septembre 2005
Classification:
articles
articles
Titre:
Murs blancs et tuiles noires
Murs blancs et tuiles noires
Actions:
Taro Cai et Peter Sealy sur la manière dont la photographie de voyage a recadré l'esthétique des jardins chinois
Titre:
Murs blancs et tuiles noires
Taro Cai et Peter Sealy sur la manière dont la photographie de voyage a recadré l'esthétique des jardins chinois
Actions:
Murs blancs et tuiles noires
Taro Cai et Peter Sealy sur la manière dont la photographie de voyage a recadré l'esthétique des jardins chinois
Actions:
Dossier:
Observations actives
Observations actives
Classification:
expositions
expositions
Actions:
Description:
Si l’immigration est un thème dominant de la culture contemporaine, les discussions à son sujet sont souvent limitées à l’expérience humaine, telles que la traversée de frontières et les problématiques d’identité nationale. L’exposition Trajets adopte une perspective autre, celle de l’impact des mouvements sur l’environnement. Les exemples vont de la noix de coco qui(...)
Si l’immigration est un thème dominant de la culture contemporaine, les discussions à son sujet sont souvent limitées à l’expérience humaine, telles que la traversée de frontières et les problématiques d’identité nationale. L’exposition Trajets adopte une perspective autre, celle de l’impact des mouvements sur l’environnement. Les exemples vont de la noix de coco qui(...)
Localisation:
Salles principales
Salles principales
Date:
20 octobre 2010 au 13 mars 2011
20 octobre 2010 au 13 mars 2011
Titre:
Trajets: comment la mobilité des fruits, des idées et des architectures recompose notre environnement
Actions:
Description:
Si l’immigration est un thème dominant de la culture contemporaine, les discussions à son sujet sont souvent limitées à l’expérience humaine, telles que la traversée de frontières et les problématiques d’identité nationale. L’exposition Trajets adopte une perspective autre, celle de l’impact des mouvements sur l’environnement. Les exemples vont de la noix de coco qui(...)
Trajets: comment la mobilité des fruits, des idées et des architectures recompose notre environnement
Actions:
Description:
Si l’immigration est un thème dominant de la culture contemporaine, les discussions à son sujet sont souvent limitées à l’expérience humaine, telles que la traversée de frontières et les problématiques d’identité nationale. L’exposition Trajets adopte une perspective autre, celle de l’impact des mouvements sur l’environnement. Les exemples vont de la noix de coco qui(...)
Classification:
expositions
expositions
Date:
20 octobre 2010 au
13 mars 2011
20 octobre 2010 au
13 mars 2011
Localisation:
Salles principales
Salles principales
Classification:
recherche
recherche
Actions:
Description:
None
None
Date:
mai 2016 au septembre 2017
mai 2016 au septembre 2017
Titre:
Programme de recherche multidisciplinaire : L’architecture et/pour la photographie
Actions:
Description:
None
Programme de recherche multidisciplinaire : L’architecture et/pour la photographie
Actions:
Description:
None
Classification:
recherche
recherche
Date:
mai 2016 au
septembre 2017
mai 2016 au
septembre 2017
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
Personnes et institutions:
Date:
1983-1989
1983-1989
Titre:
Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
Niveau de description archivistique:
Project
Project
Date:
1983-1989
1983-1989
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Localisation:
Salles principales
Salles principales
Date:
26 novembre 2008 au 19 avril 2009
26 novembre 2008 au 19 avril 2009
Titre:
Actions : comment s’approprier la ville
Actions:
Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Actions : comment s’approprier la ville
Actions:
Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Classification:
expositions
expositions
Date:
26 novembre 2008 au
19 avril 2009
26 novembre 2008 au
19 avril 2009
Localisation:
Salles principales
Salles principales
Classification:
audio
audio
Titre:
Lectures
Lectures
Numéro de référence:
DR1999:0361
Description:
audiocassettes include: 1986 (X1) August 4th: PDE & J. H - House I & House II; 1987 (X2) October 13th: Grotesque II Cooper; October 27th - Cooper: Grotesque III; 1988 (X8) April: 15th - Arizona State, Grotesque; September: 12th - P.E. at Cooper Union; 20th , 26th - P.E. at Cooper on Terragni; October: 4th ,10th - P.E. at Cooper on Terragni; 14th - P.E/Kipnis at OSU; 17th - Asilo Infantile/Terragni at Cooper; 1989 (X50) March: 6th - Cooper; April: 6th & 13th - OSU; 12th - University of California, Irvine (X2); 13th - OSU May: 4th - Texas Tech " Weak Image"; 25th - OSU (X3); August: 22nd - Kip & Eisenman; September: 11th , 12th - Cooper; 13th - Kip & Johnson on PDE; 28th - Cooper; 28th , 29th- OSU; October: 2nd , 3rd , 9th , 10th - Cooper; 13th - OSU (X6); 16th , 18th - Cooper; 20th - OSU; 23rd , 31st - Cooper; November: 2nd - Cooper; 3rd - Cooper (X2); 9th - Cooper; 10th - OSU (X2); 17th - OSU (X2); 20th - Cooper; December: 4th - OSU; Undated: All School Lecture Series Fall 1989; Eisenman/Hejduk; Wexner Center for the Visual Arts, 1989; 1990 (X36) February: 5th, 12th , 20th, 26th, 27th - Cooper; March: 1st - Cincinnati Presentation; 5th, 19th, 20th, 26th - Cooper; lecture on Guardiola House (Sintra Portugal); April: 3rd - Cooper; 5th , 11th- Chicago; 16th - Cooper; 19th - Eisenman/R.M.; 24th - Cooper; 25th - Chicago; May: 1st - Cooper; 2nd - Chicago; 7th - Cooper; 10th & 11th , 18th, 29th - Chicago; June: 16th - Any: One Etc. Meeting June 14, 1990; 18th - summer seminar (X2); July: 3rd - Koizumi lecture; 18th - summer seminar (X2); August: 15th - seminar # 4; 22nd - seminar; September: 20th - PDE & Yatsuka; October: 15th - Cooper (Yale essays introduction); December: 18th , 19th - Frankfurt Competition; 1991 (X4) April: 22nd - Cooper/Blanchard; May: 7th - Cooper/Blanchard; June: 12th - Gehry/Eisenman; July: 30th - P.E. seminar #3; 1992 (X15) January: 9th - Philip Johnson; March ?: Rice University Kennon Memorial (X2); May: 7th - Empay; July: 2nd - PDE seminar #2; 10th - seminar #2; 24th - seminar #3; 24th - seminar #4; 31st - seminar; August: 31st - Düsseldorf; December: 15th - Max Reinhardt Haus; 29th - WOSU FM Columbus; 1992 - 1993 (X3) Proust; 1993 (X8) summer lecture '93 Derrida Conference (X3); August: 6th , 13th, 20th, 27th - summer seminar; September: 22nd - Inside: The Difference; UNDATED (X32): Cooper/Blanchard 3; Blanchot; The Sea; Cooper/Blanchard; Eisenman Pt. 3; Hejduk & Eisenman House I & House II; Blanchot; Eisenman #1; "The Writing of the Disaster"; PDE & Isozaki July 10th; Banyoles staff meeting 10/5; DAAP project meeting; Alberti; German interview; Cooper/Blanchot 2; Nakamura & P. Johnson on PDE; P.E. Heimrod 9/16; Eisenman/Hejduk #3; Eisenman/Hejduk #4; unidentified; lecture on pinchin; unidentified; lecture on classicism - architecture; Eisenman & Hejduk #2; Cooper Bataille; Folding in Architecture; unidentified; Alcatraz; PDE seminar #3; PDE seminar #6; Eisenman #4; Eisenman #2;
DR1999:0361
Description:
audiocassettes include: 1986 (X1) August 4th: PDE & J. H - House I & House II; 1987 (X2) October 13th: Grotesque II Cooper; October 27th - Cooper: Grotesque III; 1988 (X8) April: 15th - Arizona State, Grotesque; September: 12th - P.E. at Cooper Union; 20th , 26th - P.E. at Cooper on Terragni; October: 4th ,10th - P.E. at Cooper on Terragni; 14th - P.E/Kipnis at OSU; 17th - Asilo Infantile/Terragni at Cooper; 1989 (X50) March: 6th - Cooper; April: 6th & 13th - OSU; 12th - University of California, Irvine (X2); 13th - OSU May: 4th - Texas Tech " Weak Image"; 25th - OSU (X3); August: 22nd - Kip & Eisenman; September: 11th , 12th - Cooper; 13th - Kip & Johnson on PDE; 28th - Cooper; 28th , 29th- OSU; October: 2nd , 3rd , 9th , 10th - Cooper; 13th - OSU (X6); 16th , 18th - Cooper; 20th - OSU; 23rd , 31st - Cooper; November: 2nd - Cooper; 3rd - Cooper (X2); 9th - Cooper; 10th - OSU (X2); 17th - OSU (X2); 20th - Cooper; December: 4th - OSU; Undated: All School Lecture Series Fall 1989; Eisenman/Hejduk; Wexner Center for the Visual Arts, 1989; 1990 (X36) February: 5th, 12th , 20th, 26th, 27th - Cooper; March: 1st - Cincinnati Presentation; 5th, 19th, 20th, 26th - Cooper; lecture on Guardiola House (Sintra Portugal); April: 3rd - Cooper; 5th , 11th- Chicago; 16th - Cooper; 19th - Eisenman/R.M.; 24th - Cooper; 25th - Chicago; May: 1st - Cooper; 2nd - Chicago; 7th - Cooper; 10th & 11th , 18th, 29th - Chicago; June: 16th - Any: One Etc. Meeting June 14, 1990; 18th - summer seminar (X2); July: 3rd - Koizumi lecture; 18th - summer seminar (X2); August: 15th - seminar # 4; 22nd - seminar; September: 20th - PDE & Yatsuka; October: 15th - Cooper (Yale essays introduction); December: 18th , 19th - Frankfurt Competition; 1991 (X4) April: 22nd - Cooper/Blanchard; May: 7th - Cooper/Blanchard; June: 12th - Gehry/Eisenman; July: 30th - P.E. seminar #3; 1992 (X15) January: 9th - Philip Johnson; March ?: Rice University Kennon Memorial (X2); May: 7th - Empay; July: 2nd - PDE seminar #2; 10th - seminar #2; 24th - seminar #3; 24th - seminar #4; 31st - seminar; August: 31st - Düsseldorf; December: 15th - Max Reinhardt Haus; 29th - WOSU FM Columbus; 1992 - 1993 (X3) Proust; 1993 (X8) summer lecture '93 Derrida Conference (X3); August: 6th , 13th, 20th, 27th - summer seminar; September: 22nd - Inside: The Difference; UNDATED (X32): Cooper/Blanchard 3; Blanchot; The Sea; Cooper/Blanchard; Eisenman Pt. 3; Hejduk & Eisenman House I & House II; Blanchot; Eisenman #1; "The Writing of the Disaster"; PDE & Isozaki July 10th; Banyoles staff meeting 10/5; DAAP project meeting; Alberti; German interview; Cooper/Blanchot 2; Nakamura & P. Johnson on PDE; P.E. Heimrod 9/16; Eisenman/Hejduk #3; Eisenman/Hejduk #4; unidentified; lecture on pinchin; unidentified; lecture on classicism - architecture; Eisenman & Hejduk #2; Cooper Bataille; Folding in Architecture; unidentified; Alcatraz; PDE seminar #3; PDE seminar #6; Eisenman #4; Eisenman #2;
Personnes et institutions:
Titre:
Lectures
Actions:
DR1999:0361
Description:
audiocassettes include: 1986 (X1) August 4th: PDE & J. H - House I & House II; 1987 (X2) October 13th: Grotesque II Cooper; October 27th - Cooper: Grotesque III; 1988 (X8) April: 15th - Arizona State, Grotesque; September: 12th - P.E. at Cooper Union; 20th , 26th - P.E. at Cooper on Terragni; October: 4th ,10th - P.E. at Cooper on Terragni; 14th - P.E/Kipnis at OSU; 17th - Asilo Infantile/Terragni at Cooper; 1989 (X50) March: 6th - Cooper; April: 6th & 13th - OSU; 12th - University of California, Irvine (X2); 13th - OSU May: 4th - Texas Tech " Weak Image"; 25th - OSU (X3); August: 22nd - Kip & Eisenman; September: 11th , 12th - Cooper; 13th - Kip & Johnson on PDE; 28th - Cooper; 28th , 29th- OSU; October: 2nd , 3rd , 9th , 10th - Cooper; 13th - OSU (X6); 16th , 18th - Cooper; 20th - OSU; 23rd , 31st - Cooper; November: 2nd - Cooper; 3rd - Cooper (X2); 9th - Cooper; 10th - OSU (X2); 17th - OSU (X2); 20th - Cooper; December: 4th - OSU; Undated: All School Lecture Series Fall 1989; Eisenman/Hejduk; Wexner Center for the Visual Arts, 1989; 1990 (X36) February: 5th, 12th , 20th, 26th, 27th - Cooper; March: 1st - Cincinnati Presentation; 5th, 19th, 20th, 26th - Cooper; lecture on Guardiola House (Sintra Portugal); April: 3rd - Cooper; 5th , 11th- Chicago; 16th - Cooper; 19th - Eisenman/R.M.; 24th - Cooper; 25th - Chicago; May: 1st - Cooper; 2nd - Chicago; 7th - Cooper; 10th & 11th , 18th, 29th - Chicago; June: 16th - Any: One Etc. Meeting June 14, 1990; 18th - summer seminar (X2); July: 3rd - Koizumi lecture; 18th - summer seminar (X2); August: 15th - seminar # 4; 22nd - seminar; September: 20th - PDE & Yatsuka; October: 15th - Cooper (Yale essays introduction); December: 18th , 19th - Frankfurt Competition; 1991 (X4) April: 22nd - Cooper/Blanchard; May: 7th - Cooper/Blanchard; June: 12th - Gehry/Eisenman; July: 30th - P.E. seminar #3; 1992 (X15) January: 9th - Philip Johnson; March ?: Rice University Kennon Memorial (X2); May: 7th - Empay; July: 2nd - PDE seminar #2; 10th - seminar #2; 24th - seminar #3; 24th - seminar #4; 31st - seminar; August: 31st - Düsseldorf; December: 15th - Max Reinhardt Haus; 29th - WOSU FM Columbus; 1992 - 1993 (X3) Proust; 1993 (X8) summer lecture '93 Derrida Conference (X3); August: 6th , 13th, 20th, 27th - summer seminar; September: 22nd - Inside: The Difference; UNDATED (X32): Cooper/Blanchard 3; Blanchot; The Sea; Cooper/Blanchard; Eisenman Pt. 3; Hejduk & Eisenman House I & House II; Blanchot; Eisenman #1; "The Writing of the Disaster"; PDE & Isozaki July 10th; Banyoles staff meeting 10/5; DAAP project meeting; Alberti; German interview; Cooper/Blanchot 2; Nakamura & P. Johnson on PDE; P.E. Heimrod 9/16; Eisenman/Hejduk #3; Eisenman/Hejduk #4; unidentified; lecture on pinchin; unidentified; lecture on classicism - architecture; Eisenman & Hejduk #2; Cooper Bataille; Folding in Architecture; unidentified; Alcatraz; PDE seminar #3; PDE seminar #6; Eisenman #4; Eisenman #2;
Lectures
Actions:
DR1999:0361
Description:
audiocassettes include: 1986 (X1) August 4th: PDE & J. H - House I & House II; 1987 (X2) October 13th: Grotesque II Cooper; October 27th - Cooper: Grotesque III; 1988 (X8) April: 15th - Arizona State, Grotesque; September: 12th - P.E. at Cooper Union; 20th , 26th - P.E. at Cooper on Terragni; October: 4th ,10th - P.E. at Cooper on Terragni; 14th - P.E/Kipnis at OSU; 17th - Asilo Infantile/Terragni at Cooper; 1989 (X50) March: 6th - Cooper; April: 6th & 13th - OSU; 12th - University of California, Irvine (X2); 13th - OSU May: 4th - Texas Tech " Weak Image"; 25th - OSU (X3); August: 22nd - Kip & Eisenman; September: 11th , 12th - Cooper; 13th - Kip & Johnson on PDE; 28th - Cooper; 28th , 29th- OSU; October: 2nd , 3rd , 9th , 10th - Cooper; 13th - OSU (X6); 16th , 18th - Cooper; 20th - OSU; 23rd , 31st - Cooper; November: 2nd - Cooper; 3rd - Cooper (X2); 9th - Cooper; 10th - OSU (X2); 17th - OSU (X2); 20th - Cooper; December: 4th - OSU; Undated: All School Lecture Series Fall 1989; Eisenman/Hejduk; Wexner Center for the Visual Arts, 1989; 1990 (X36) February: 5th, 12th , 20th, 26th, 27th - Cooper; March: 1st - Cincinnati Presentation; 5th, 19th, 20th, 26th - Cooper; lecture on Guardiola House (Sintra Portugal); April: 3rd - Cooper; 5th , 11th- Chicago; 16th - Cooper; 19th - Eisenman/R.M.; 24th - Cooper; 25th - Chicago; May: 1st - Cooper; 2nd - Chicago; 7th - Cooper; 10th & 11th , 18th, 29th - Chicago; June: 16th - Any: One Etc. Meeting June 14, 1990; 18th - summer seminar (X2); July: 3rd - Koizumi lecture; 18th - summer seminar (X2); August: 15th - seminar # 4; 22nd - seminar; September: 20th - PDE & Yatsuka; October: 15th - Cooper (Yale essays introduction); December: 18th , 19th - Frankfurt Competition; 1991 (X4) April: 22nd - Cooper/Blanchard; May: 7th - Cooper/Blanchard; June: 12th - Gehry/Eisenman; July: 30th - P.E. seminar #3; 1992 (X15) January: 9th - Philip Johnson; March ?: Rice University Kennon Memorial (X2); May: 7th - Empay; July: 2nd - PDE seminar #2; 10th - seminar #2; 24th - seminar #3; 24th - seminar #4; 31st - seminar; August: 31st - Düsseldorf; December: 15th - Max Reinhardt Haus; 29th - WOSU FM Columbus; 1992 - 1993 (X3) Proust; 1993 (X8) summer lecture '93 Derrida Conference (X3); August: 6th , 13th, 20th, 27th - summer seminar; September: 22nd - Inside: The Difference; UNDATED (X32): Cooper/Blanchard 3; Blanchot; The Sea; Cooper/Blanchard; Eisenman Pt. 3; Hejduk & Eisenman House I & House II; Blanchot; Eisenman #1; "The Writing of the Disaster"; PDE & Isozaki July 10th; Banyoles staff meeting 10/5; DAAP project meeting; Alberti; German interview; Cooper/Blanchot 2; Nakamura & P. Johnson on PDE; P.E. Heimrod 9/16; Eisenman/Hejduk #3; Eisenman/Hejduk #4; unidentified; lecture on pinchin; unidentified; lecture on classicism - architecture; Eisenman & Hejduk #2; Cooper Bataille; Folding in Architecture; unidentified; Alcatraz; PDE seminar #3; PDE seminar #6; Eisenman #4; Eisenman #2;
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119 pages : illustrations (chiefly color) ; 28 cm
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119 pages : illustrations (chiefly color) ; 28 cm
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Zurich : Park Books, [2021], ©2021
Zurich : Park Books, [2021], ©2021
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Archetypes / David K. Ross ; texts, Reto Geiser [and three others].
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Description:
119 pages : illustrations (chiefly color) ; 28 cm
Archetypes / David K. Ross ; texts, Reto Geiser [and three others].
Actions:
Exemplaires:
Description:
119 pages : illustrations (chiefly color) ; 28 cm
Classification:
livres
livres
Publication:
Zurich : Park Books, [2021], ©2021
Zurich : Park Books, [2021], ©2021
Auteur:
Sujet:
