10138 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.072
Description:
File was originally housed in a binder along with content arranged in AP206.S2.073 and AP206.S2.074. This file includes the following papers: "Working with Le Corbusier," 1998 "How Chandigarh got Built" "Jane B. Drew," 1996 "Art as I see it," 1993 "Civilization, Art, Religion" Letters to newspaper editors, 1995 Newspaper articles and Aditya Prakash's response to them Newspaper articles by Aditya Prakash, 1993-1994 Urdu poetry "Modernity in Modern Homes," 1994 "The 'Neem' Soap" "Daydreaming" "A New Capital for Haryana" "Trishanku," 1993 "Oh! To be Equal" "Solar Passive/Active Architecture" "Human Habitat: Environmental Issues and Strategies" "The Maximum and the Minimum"
AP206.S2.072
Description:
File was originally housed in a binder along with content arranged in AP206.S2.073 and AP206.S2.074. This file includes the following papers: "Working with Le Corbusier," 1998 "How Chandigarh got Built" "Jane B. Drew," 1996 "Art as I see it," 1993 "Civilization, Art, Religion" Letters to newspaper editors, 1995 Newspaper articles and Aditya Prakash's response to them Newspaper articles by Aditya Prakash, 1993-1994 Urdu poetry "Modernity in Modern Homes," 1994 "The 'Neem' Soap" "Daydreaming" "A New Capital for Haryana" "Trishanku," 1993 "Oh! To be Equal" "Solar Passive/Active Architecture" "Human Habitat: Environmental Issues and Strategies" "The Maximum and the Minimum"
Personnes et institutions:
Date:
1986-1998
1986-1998
Titre:
Published and unpublished papers (folder 1 of 3)
Actions:
AP206.S2.072
Description:
File was originally housed in a binder along with content arranged in AP206.S2.073 and AP206.S2.074. This file includes the following papers: "Working with Le Corbusier," 1998 "How Chandigarh got Built" "Jane B. Drew," 1996 "Art as I see it," 1993 "Civilization, Art, Religion" Letters to newspaper editors, 1995 Newspaper articles and Aditya Prakash's response to them Newspaper articles by Aditya Prakash, 1993-1994 Urdu poetry "Modernity in Modern Homes," 1994 "The 'Neem' Soap" "Daydreaming" "A New Capital for Haryana" "Trishanku," 1993 "Oh! To be Equal" "Solar Passive/Active Architecture" "Human Habitat: Environmental Issues and Strategies" "The Maximum and the Minimum"
Published and unpublished papers (folder 1 of 3)
Actions:
AP206.S2.072
Description:
File was originally housed in a binder along with content arranged in AP206.S2.073 and AP206.S2.074. This file includes the following papers: "Working with Le Corbusier," 1998 "How Chandigarh got Built" "Jane B. Drew," 1996 "Art as I see it," 1993 "Civilization, Art, Religion" Letters to newspaper editors, 1995 Newspaper articles and Aditya Prakash's response to them Newspaper articles by Aditya Prakash, 1993-1994 Urdu poetry "Modernity in Modern Homes," 1994 "The 'Neem' Soap" "Daydreaming" "A New Capital for Haryana" "Trishanku," 1993 "Oh! To be Equal" "Solar Passive/Active Architecture" "Human Habitat: Environmental Issues and Strategies" "The Maximum and the Minimum"
Classification:
documents textuels
documents textuels
Date:
1986-1998
1986-1998
Personnes et institutions:
Classification:
dessins, documents textuels, né numérique
dessins, documents textuels, né numérique
Numéro de référence:
AP181.S1.001
Description:
Original directory name: "00_Adressenliste". File chiefly contains contact lists of the different stakeholders (BMW, engineering firms, design consultants, etc.) of the project. File also contains CAD templates showing how plans for this project were to be identified and presented. A link file is dated in 2015, an outlier as records are otherwise dated between 2002 and 2007. The link points to the "b_CAD\06_Handbuecher" directory under file AP181.S1.005. Most common file formats: Microsoft Word Document, AutoCAD Drawing, Microsoft Excel 97 Workbook (xls), Acrobat PDF 1.2 - Portable Document Format, Unidentified
AP181.S1.001
Description:
Original directory name: "00_Adressenliste". File chiefly contains contact lists of the different stakeholders (BMW, engineering firms, design consultants, etc.) of the project. File also contains CAD templates showing how plans for this project were to be identified and presented. A link file is dated in 2015, an outlier as records are otherwise dated between 2002 and 2007. The link points to the "b_CAD\06_Handbuecher" directory under file AP181.S1.005. Most common file formats: Microsoft Word Document, AutoCAD Drawing, Microsoft Excel 97 Workbook (xls), Acrobat PDF 1.2 - Portable Document Format, Unidentified
Personnes et institutions:
Date:
2002-2015
2002-2015
Titre:
Templates and stakeholder contact information, BMW Welt, Munich
Actions:
AP181.S1.001
Description:
Original directory name: "00_Adressenliste". File chiefly contains contact lists of the different stakeholders (BMW, engineering firms, design consultants, etc.) of the project. File also contains CAD templates showing how plans for this project were to be identified and presented. A link file is dated in 2015, an outlier as records are otherwise dated between 2002 and 2007. The link points to the "b_CAD\06_Handbuecher" directory under file AP181.S1.005. Most common file formats: Microsoft Word Document, AutoCAD Drawing, Microsoft Excel 97 Workbook (xls), Acrobat PDF 1.2 - Portable Document Format, Unidentified
Templates and stakeholder contact information, BMW Welt, Munich
Actions:
AP181.S1.001
Description:
Original directory name: "00_Adressenliste". File chiefly contains contact lists of the different stakeholders (BMW, engineering firms, design consultants, etc.) of the project. File also contains CAD templates showing how plans for this project were to be identified and presented. A link file is dated in 2015, an outlier as records are otherwise dated between 2002 and 2007. The link points to the "b_CAD\06_Handbuecher" directory under file AP181.S1.005. Most common file formats: Microsoft Word Document, AutoCAD Drawing, Microsoft Excel 97 Workbook (xls), Acrobat PDF 1.2 - Portable Document Format, Unidentified
Classification:
dessins, documents textuels, né numérique
dessins, documents textuels, né numérique
Date:
2002-2015
2002-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
Personnes et institutions:
Date:
1969-1970
1969-1970
Titre:
Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
Niveau de description archivistique:
Project
Project
Date:
1969-1970
1969-1970
Personnes et institutions:
Classification:
photographies
Quantité:
8 panel(s)
photographies
Quantité:
8 panel(s)
Numéro de référence:
DR1995:0300:001-008
Description:
These eight presentation boards (1967-1977 ?) are collages composed of reduced copies of previously published material, such as periodical clippings and photomechanical prints, interspersed with titles and text describing relevant work. The two projects represented are Fun Palace (AP144.S2.D46) and O.C.H. Feasibility Study (Oxford Corner House, AP144.S2.D59). Price apparently chose these two projects as a comparative study for concepts which he was developing at the time. Further research is required to establish the theme(s) of the German Exhibition and how this comparative study by Price fits into the exhibition.
DR1995:0300:001-008
Description:
These eight presentation boards (1967-1977 ?) are collages composed of reduced copies of previously published material, such as periodical clippings and photomechanical prints, interspersed with titles and text describing relevant work. The two projects represented are Fun Palace (AP144.S2.D46) and O.C.H. Feasibility Study (Oxford Corner House, AP144.S2.D59). Price apparently chose these two projects as a comparative study for concepts which he was developing at the time. Further research is required to establish the theme(s) of the German Exhibition and how this comparative study by Price fits into the exhibition.
Personnes et institutions:
Date:
1967-1977 ?
1967-1977 ?
Titre:
German exhibition: Presentation panels
Actions:
DR1995:0300:001-008
Description:
These eight presentation boards (1967-1977 ?) are collages composed of reduced copies of previously published material, such as periodical clippings and photomechanical prints, interspersed with titles and text describing relevant work. The two projects represented are Fun Palace (AP144.S2.D46) and O.C.H. Feasibility Study (Oxford Corner House, AP144.S2.D59). Price apparently chose these two projects as a comparative study for concepts which he was developing at the time. Further research is required to establish the theme(s) of the German Exhibition and how this comparative study by Price fits into the exhibition.
German exhibition: Presentation panels
Actions:
DR1995:0300:001-008
Description:
These eight presentation boards (1967-1977 ?) are collages composed of reduced copies of previously published material, such as periodical clippings and photomechanical prints, interspersed with titles and text describing relevant work. The two projects represented are Fun Palace (AP144.S2.D46) and O.C.H. Feasibility Study (Oxford Corner House, AP144.S2.D59). Price apparently chose these two projects as a comparative study for concepts which he was developing at the time. Further research is required to establish the theme(s) of the German Exhibition and how this comparative study by Price fits into the exhibition.
Classification:
photographies
Quantité:
8 panel(s)
photographies
Quantité:
8 panel(s)
Date:
1967-1977 ?
1967-1977 ?
Personnes et institutions:
Classification:
articles
articles
Titre:
La place de l'argent
La place de l'argent
Actions:
Juan Campanini et Josefina Sposito sur comment une esthétique de la confiance prend brusquement fin
Mot(s)-clé(s):
Juan Campanini, Josefina Sposito, Buenos Aires, CCA c/o, banques, portes, crise financière, 2001
Juan Campanini, Josefina Sposito, Buenos Aires, CCA c/o, banques, portes, crise financière, 2001
Publié:
9 janvier 2021
9 janvier 2021
Titre:
La place de l'argent
Juan Campanini et Josefina Sposito sur comment une esthétique de la confiance prend brusquement fin
Actions:
La place de l'argent
Juan Campanini et Josefina Sposito sur comment une esthétique de la confiance prend brusquement fin
Actions:
Classification:
événements
événements
Actions:
Description:
Olumuyiwa Adegun, chercheur en résidence 2016, présente ses recherches : Les villes d’Europe au XIXe siècle, à l’instar des villes d’Afrique aujourd’hui, ont souffert de graves problèmes de logement. Les bidonvilles ont marqué Berlin et Paris, tout comme dans les dernières décennies, le logement informel est devenu un trait particulier de Nairobi et de Johannesburg.(...)
Olumuyiwa Adegun, chercheur en résidence 2016, présente ses recherches : Les villes d’Europe au XIXe siècle, à l’instar des villes d’Afrique aujourd’hui, ont souffert de graves problèmes de logement. Les bidonvilles ont marqué Berlin et Paris, tout comme dans les dernières décennies, le logement informel est devenu un trait particulier de Nairobi et de Johannesburg.(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
4 août 2016, 18h
4 août 2016, 18h
Titre:
Séminaire de chercheur en résidence : Olumuyiwa Adegun
Actions:
Description:
Olumuyiwa Adegun, chercheur en résidence 2016, présente ses recherches : Les villes d’Europe au XIXe siècle, à l’instar des villes d’Afrique aujourd’hui, ont souffert de graves problèmes de logement. Les bidonvilles ont marqué Berlin et Paris, tout comme dans les dernières décennies, le logement informel est devenu un trait particulier de Nairobi et de Johannesburg.(...)
Séminaire de chercheur en résidence : Olumuyiwa Adegun
Actions:
Description:
Olumuyiwa Adegun, chercheur en résidence 2016, présente ses recherches : Les villes d’Europe au XIXe siècle, à l’instar des villes d’Afrique aujourd’hui, ont souffert de graves problèmes de logement. Les bidonvilles ont marqué Berlin et Paris, tout comme dans les dernières décennies, le logement informel est devenu un trait particulier de Nairobi et de Johannesburg.(...)
Classification:
événements
événements
Date:
4 août 2016
18h
4 août 2016
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
articles
articles
Titre:
Témoin matériel
Témoin matériel
Actions:
Susanne Kriemann raconte comment la photographie enregistre les paysages radioactifs
Mot(s)-clé(s):
La vie des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Susanne Kriemann, conversation, histoire orale, paysages radioactifs
La vie des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Susanne Kriemann, conversation, histoire orale, paysages radioactifs
Publié:
11 mars 2024
11 mars 2024
Titre:
Témoin matériel
Susanne Kriemann raconte comment la photographie enregistre les paysages radioactifs
Actions:
Témoin matériel
Susanne Kriemann raconte comment la photographie enregistre les paysages radioactifs
Actions:
Classification:
photographies
photographies
![Promotion panel [?] for the documentary film "Where do the aged live ?", Frankfurt am Main, Germany](/img-collection/3RsUYx5PU7jVdVxEoQT-fTVymcs=/500x375/5186.jpg)
Titre:
Promotion panel [?] for the documentary film "Where do the aged live ?", Frankfurt am Main, Germany
Promotion panel [?] for the documentary film "Where do the aged live ?", Frankfurt am Main, Germany
Actions:
Numéro de référence:
PH1987:1223:005
Description:
- This object comprises four elements which apparently promote the film "Where do the Aged Live ?" by Ella Bergmann-Michel concerning the Home for the Aged of the Budge Foundation, Frankfurt, Germany. At the left, two cut-outs numbered 58 and 59 each comprise 2 bands of stills from the film. A text in German, English and French at the top of one of the cut-outs describes how to rent the film. Two larger gelatin silver prints are mounted at the center and right of the board. The center photograph and the band of stills at the extreme left are the same image.
PH1987:1223:005
Description:
- This object comprises four elements which apparently promote the film "Where do the Aged Live ?" by Ella Bergmann-Michel concerning the Home for the Aged of the Budge Foundation, Frankfurt, Germany. At the left, two cut-outs numbered 58 and 59 each comprise 2 bands of stills from the film. A text in German, English and French at the top of one of the cut-outs describes how to rent the film. Two larger gelatin silver prints are mounted at the center and right of the board. The center photograph and the band of stills at the extreme left are the same image.
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Date:
after 1930
after 1930
Titre:
Promotion panel [?] for the documentary film "Where do the aged live ?", Frankfurt am Main, Germany
Actions:
PH1987:1223:005
Description:
- This object comprises four elements which apparently promote the film "Where do the Aged Live ?" by Ella Bergmann-Michel concerning the Home for the Aged of the Budge Foundation, Frankfurt, Germany. At the left, two cut-outs numbered 58 and 59 each comprise 2 bands of stills from the film. A text in German, English and French at the top of one of the cut-outs describes how to rent the film. Two larger gelatin silver prints are mounted at the center and right of the board. The center photograph and the band of stills at the extreme left are the same image.
Promotion panel [?] for the documentary film "Where do the aged live ?", Frankfurt am Main, Germany
Actions:
PH1987:1223:005
Description:
- This object comprises four elements which apparently promote the film "Where do the Aged Live ?" by Ella Bergmann-Michel concerning the Home for the Aged of the Budge Foundation, Frankfurt, Germany. At the left, two cut-outs numbered 58 and 59 each comprise 2 bands of stills from the film. A text in German, English and French at the top of one of the cut-outs describes how to rent the film. Two larger gelatin silver prints are mounted at the center and right of the board. The center photograph and the band of stills at the extreme left are the same image.
Classification:
photographies
photographies
Date:
after 1930
after 1930
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Classification:
événements
événements
Actions:
Date:
25 juin 2024 au 17 novembre 2024
25 juin 2024 au 17 novembre 2024
Classification:
événements
événements
Date:
25 juin 2024 au
17 novembre 2024
25 juin 2024 au
17 novembre 2024
Classification:
événements
événements
Description:
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
Date:
21 septembre 2017, 18h30
21 septembre 2017, 18h30
Titre:
David B. Stewart, quel sens avait l’histoire pour Kazuo Shinohara?
Actions:
Description:
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
David B. Stewart, quel sens avait l’histoire pour Kazuo Shinohara?
Actions:
Description:
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
Classification:
événements
événements
Date:
21 septembre 2017
18h30
21 septembre 2017
18h30
