57 Résultats
Classification:
articles
articles
Titre:
Researxting
Researxting
Actions:
Martin Huberman conçoit une conversation virtuelle sur le caractère intime de la métamorphose de l'architecte devenu développeur
Mot(s)-clé(s):
Martin Huberman, c/o Buenos Aires, Researxting, Ana Smud, Fernán Goldín, Estudio Dumont, fideicomiso, Ana Rascovsky, Pablo Ferreiro
Martin Huberman, c/o Buenos Aires, Researxting, Ana Smud, Fernán Goldín, Estudio Dumont, fideicomiso, Ana Rascovsky, Pablo Ferreiro
Publié:
25 avril 2021
25 avril 2021
Titre:
Researxting
Martin Huberman conçoit une conversation virtuelle sur le caractère intime de la métamorphose de l'architecte devenu développeur
Actions:
Researxting
Martin Huberman conçoit une conversation virtuelle sur le caractère intime de la métamorphose de l'architecte devenu développeur
Actions:
Classification:
articles
articles
Actions:
Juan Campanini et Josefina Sposito représentent l'empreinte physique de la monnaie argentine
Mot(s)-clé(s):
Juan Campanini, Josefina Sposito, Campanini Sposito, Argentine, peso, monnaie, échelle, mesure, c/o Buenos Aires, Martin Huberman
Juan Campanini, Josefina Sposito, Campanini Sposito, Argentine, peso, monnaie, échelle, mesure, c/o Buenos Aires, Martin Huberman
Publié:
5 juillet 2021
5 juillet 2021
Titre:
Échelle et mesure des formes de l’argent
Juan Campanini et Josefina Sposito représentent l'empreinte physique de la monnaie argentine
Actions:
Échelle et mesure des formes de l’argent
Juan Campanini et Josefina Sposito représentent l'empreinte physique de la monnaie argentine
Actions:
Classification:
articles
articles
Actions:
Martin Huberman discute avec Alejandro Bercovich et Pablo Touzón
Titre:
Refuge, une conversation sur l’argent et l’architecture en Argentine
Martin Huberman discute avec Alejandro Bercovich et Pablo Touzón
Actions:
Refuge, une conversation sur l’argent et l’architecture en Argentine
Martin Huberman discute avec Alejandro Bercovich et Pablo Touzón
Actions:
Classification:
articles
articles
Publié:
13 octobre 2020
13 octobre 2020
Classification:
événements
événements
Actions:
Localisation:
théâtre Paul-Desmarais et maison Shaughnessy Mot(s)-clé(s):
Hors du cadre; Amancio Williams
théâtre Paul-Desmarais et maison Shaughnessy Mot(s)-clé(s):
Hors du cadre; Amancio Williams
Date:
22 juin 2023, 17h - 21h
22 juin 2023, 17h - 21h
Classification:
événements
événements
Date:
22 juin 2023
17h - 21h
22 juin 2023
17h - 21h
Localisation:
théâtre Paul-Desmarais et maison Shaughnessy Mot(s)-clé(s):
Hors du cadre; Amancio Williams
théâtre Paul-Desmarais et maison Shaughnessy Mot(s)-clé(s):
Hors du cadre; Amancio Williams
Classification:
articles
articles
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:003:118
PHCON2002:0016:003:118
Personnes et institutions:
Date:
18 August 1975
18 August 1975
Classification:
documents textuels
documents textuels
Date:
18 August 1975
18 August 1975
Personnes et institutions:
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Numéro de référence:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Personnes et institutions:
Sujet:
architecture, architecture temporaire, urbanisme
architecture, architecture temporaire, urbanisme
Date:
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
Titre:
Album of student drawings for architectural competitions held at the École spéciale de peinture, sculpture et architecture and drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire, Paris
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Album of student drawings for architectural competitions held at the École spéciale de peinture, sculpture et architecture and drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire, Paris
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Date:
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
Personnes et institutions:
Sujet:
architecture, architecture temporaire, urbanisme
architecture, architecture temporaire, urbanisme
Classification:
livres
livres
Actions:
Exemplaires:
Description:
135 pages : color illustrations ; 28 cm
Description:
135 pages : color illustrations ; 28 cm
Auteur:
Sujet:
Publication:
Paris : Fondation BNP Paribas : Réunion des musées nationaux ; Düsseldorf : Museum kunst palast, ©2003.
Paris : Fondation BNP Paribas : Réunion des musées nationaux ; Düsseldorf : Museum kunst palast, ©2003.
Titre:
Le Museum Kunst Palast, Düsseldorf / Jean Hubert Martin, Helmut Ricke [and others].
Actions:
Exemplaires:
Description:
135 pages : color illustrations ; 28 cm
Le Museum Kunst Palast, Düsseldorf / Jean Hubert Martin, Helmut Ricke [and others].
Actions:
Exemplaires:
Description:
135 pages : color illustrations ; 28 cm
Classification:
livres
livres
Publication:
Paris : Fondation BNP Paribas : Réunion des musées nationaux ; Düsseldorf : Museum kunst palast, ©2003.
Paris : Fondation BNP Paribas : Réunion des musées nationaux ; Düsseldorf : Museum kunst palast, ©2003.
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Sujet:
Classification:
livres
livres
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Exemplaires:
Description:
409 pages : illustrations ; 29 cm
Description:
409 pages : illustrations ; 29 cm
Auteur:
Sujet:
Publication:
Milan : Mousse Publishing ; London : Koenig Books, [2017]
Milan : Mousse Publishing ; London : Koenig Books, [2017]
Titre:
The artist as curator : an anthology / edited by Elena Filipovic.
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Description:
409 pages : illustrations ; 29 cm
The artist as curator : an anthology / edited by Elena Filipovic.
Actions:
Exemplaires:
Description:
409 pages : illustrations ; 29 cm
Classification:
livres
livres
Publication:
Milan : Mousse Publishing ; London : Koenig Books, [2017]
Milan : Mousse Publishing ; London : Koenig Books, [2017]
Auteur:
Sujet:
Classification:
livres
livres
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Description:
192 pages : illustrations (some color), maps ; 30 cm
Description:
192 pages : illustrations (some color), maps ; 30 cm
Auteur:
Sujet:
Publication:
New York : Facts on File, ©1990.
New York : Facts on File, ©1990.
Titre:
Forts and fortresses : from the hillforts of prehistory to modern times, the definitive visual account of the science of fortification / Martin Brice.
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Exemplaires:
Description:
192 pages : illustrations (some color), maps ; 30 cm
Forts and fortresses : from the hillforts of prehistory to modern times, the definitive visual account of the science of fortification / Martin Brice.
Actions:
Exemplaires:
Description:
192 pages : illustrations (some color), maps ; 30 cm
Classification:
livres
livres
Publication:
New York : Facts on File, ©1990.
New York : Facts on File, ©1990.
Auteur:
Sujet:
